Young science-fiction aficionados will appreciate this story despite its malfunctions.
Isaac Asimov’s Three Laws of Robotics get a middle-grade twist.
Christopher thinks he’s a 12-year-old boy. He lives with Absalom, an unlicensed engineer who uses his robot inventions to grift vulnerable people out of their money, and an endearing cast of other mechanical creations. When Christopher gets hit by a car selflessly trying to rescue one of his metallic friends, he accidentally discovers that he is also a robot—a highly illegal one, as he’s clearly “ensouled”—and is promptly whisked away by men purporting to be from the government agency overseeing such matters. Worried, Christopher’s friends, constructs and flesh, go on a quest to save him. They even enlist the help of the most renowned engineer in history, the man who created Christopher to fill a void in his own family. Points of view bounce around confusingly, with prose that feels in need of some tightening and oiling. In this post–World War I England, all the nonmetallic characters seem to be white given that even the flesh affixed to robots is described as a “white mixture” that develops “a fleshy pallor.” Hard-to-follow action sequences and pseudoscientific terminology blunt the emotional stakes, which are felt more in the side characters than the main quest.
Young science-fiction aficionados will appreciate this story despite its malfunctions. (Science fiction. 8-12)Pub Date: March 26, 2019
ISBN: 978-1-338-27755-5
Page Count: 288
Publisher: Chicken House/Scholastic
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
A vibrant celebration of art’s power to console and heal.
Zora, 12, shares her mother’s artistic gifts, but when grief and guilt lead her to destroy years of drawings, the results are astonishing.
Voom is Zora and her mom’s word for the artistic impulse that bubbles up inside. After disclosing her leukemia diagnosis to Zora and her sister, Frankie, Mom promised the girls she’d beat it. Ten months later, their far sicker mom is hospitalized in Pittsburgh, where the girls share their bus driver grandmother’s basement apartment. Mom continues to be optimistic and avoid acknowledging the possibility of death. Frustrated and needing to hear a realistic prognosis, Zora uses her art to show her mother the truth of how ill she looks. Later that night her mom dies—and Zora’s Voom goes away. When Grandma Wren disappoints Frankie on her seventh birthday, Zora’s guilt-fueled anger erupts. Over Frankie’s protests, Zora scribbles out her drawings until the scribbles fight back, pulling the girls into Pencilvania, a world where each of Zora’s creations lives. Most of her now-animated drawings welcome her—except for one scribbled-out horse who kidnaps Frankie. Guided by a seven-legged horse, the Zoracle (a composite of her early self-portraits), and other charming creations, Zora sets out to rescue Frankie and rediscover the wellspring of creativity that forms her mother’s legacy. Presumed White, the humans are well rounded and believable. Pencilvania’s inhabitants, conceived with humorous, metafictional whimsy, are enlivened with copious, inventive illustrations.
A vibrant celebration of art’s power to console and heal. (Fiction. 8-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-72821-590-7
Page Count: 352
Publisher: Sourcebooks Young Readers
Review Posted Online: Aug. 15, 2021
Kirkus Reviews Issue: Sept. 1, 2021
The journey is even gently funny—Omakayas’s brother spends much of the year with a porcupine on his head. Charming and...
This third entry in the Birchbark House series takes Omakayas and her family west from their home on the Island of the Golden-Breasted Woodpecker, away from land the U.S. government has claimed.
Difficulties abound; the unknown landscape is fraught with danger, and they are nearing hostile Bwaanag territory. Omakayas’s family is not only close, but growing: The travelers adopt two young chimookoman (white) orphans along the way. When treachery leaves them starving and alone in a northern Minnesota winter, it will take all of their abilities and love to survive. The heartwarming account of Omakayas’s year of travel explores her changing family relationships and culminates in her first moon, the onset of puberty. It would be understandable if this darkest-yet entry in Erdrich’s response to the Little House books were touched by bitterness, yet this gladdening story details Omakayas’s coming-of-age with appealing optimism.
Pub Date: Sept. 1, 2008
ISBN: 978-0-06-029787-9
Page Count: 208
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
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