by Pam Conrad ‧ RELEASE DATE: May 10, 1989
Julia Summerwaite, 80, flies east from Nebraska to take her two grandchildren to the American Museum of Natural History, and to tell them about the most significant event in her life, when—during her 12th summer in the 1880's—her brother discovered, on the family farm, the bones of the "brontosaurus" now on display in the museum. And so she does, during a leisurely tour of displays that will be familiar to many readers, as Ellie, 12, listens with rapt attention and much younger Steven runs too free to please the guards. It's a sad tale—brother Daniel was the person Julia most loved in her life, and he did not survive to see his find safely in the hands of the eminent scientist to whom he had written about it; the tale is also suspenseful, since we know almost from the beginning when Daniel's death occurred, but not how. Keeping the dinosaur a secret, especially from another, villainous, collector, provides much of the action; ultimately, the role that collector plays turns out to be different, and even more dramatic, than expected. Though the story of finding the bones and getting them to the museum is sure to interest readers, the carefully wrought characters and their beautifully realized Nebraska setting are the greatest strengths here. Daniel has quietly decided to stay on the struggling farm, turning down a tempting offer of work with paleontologists who recognize his gift for observations; his loyalty to his parents and his affection for his younger sister—and hers for him—are even more poignant as recalled almost 70 years later. An absorbing story.
Pub Date: May 10, 1989
ISBN: 0064403092
Page Count: 148
Publisher: Harper & Row
Review Posted Online: April 18, 2012
Kirkus Reviews Issue: April 15, 1989
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by Pam Conrad & illustrated by Mark English
by Renée Watson & Ellen Hagan ‧ RELEASE DATE: Feb. 12, 2019
A book that seamlessly brings readers along on a journey of impact and empowerment.
A manifesto for budding feminists.
At the core of this engaging novel are besties Chelsea, who is Irish- and Italian-American and into fashion and beauty, and Jasmine, who is African-American, loves the theater, and pushes back against bias around size (“I don’t need your fake compliments, your pity. I know I’m beautiful. Inside and out”). They and their sidekicks, half-Japanese/half-Lebanese Nadine and Puerto Rican Isaac, grow into first-class activists—simultaneously educating their peers and readers. The year gets off to a rocky start at their progressive, social justice–oriented New York City high school: Along with the usual angst many students experience, Jasmine’s father is terminally ill with cancer, and after things go badly in both their clubs, Jasmine and Chelsea form a women’s rights club which becomes the catalyst for their growth as they explore gender inequality and opportunities for change. This is an inspiring look at two strong-willed teens growing into even stronger young women ready to use their voices and take on the world, imploring budding feminists everywhere to “join the revolution.” The book offers a poetic balance of dialogue among the main characters, their peers, and the adults in their lives. The exquisite pacing, which intersperses everyday teen conflicts with weightier issues, demonstrates how teens long to be heard and taken seriously.
A book that seamlessly brings readers along on a journey of impact and empowerment. (resources for young activists, endnotes) (Fiction. 12-18)Pub Date: Feb. 12, 2019
ISBN: 978-1-5476-0008-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Jan. 22, 2019
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by Renée Watson ; illustrated by Sherry Shine
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by Renée Watson ; illustrated by Bea Jackson
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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