An affecting collection of candid, heartfelt letters.
From the wilderness of Colorado, two writers share their anxieties and hopes.
In late March, Houston and Irvine began writing to each other from their homes on opposite sides of the San Juan Mountains. What started as a contribution to Orion magazine’s online pandemic series continued, resulting in a collection, gracefully illustrated by Taylor, that stands as a testimony to the sustenance of friendship in frightening times. Both women are “intensely aware” that they write from a place of privilege: “two healthy white women in respectful, loving relationships who have the enormous privilege of doing meaningful work from home, with plenty of food socked away and some of the most beautiful and accessible wildlands all around.” Yet despite their good fortune, they reveal past wounds and present challenges. For example, both had abusive fathers and mothers who said they regretted having them; both have scar tissue in their lungs from pneumonia and high altitudes, making them particularly vulnerable to Covid-19. Irvine has a daughter who suffers from epilepsy and Graves’ disease, an autoimmune disorder. “What I know for sure,” she writes, “is that privilege doesn’t spare you from trauma, although it can lessen the blow, and the aftermath.” Motherhood, womanhood, work, and nature recur as themes, as does frustration with Donald Trump and with neighbors who vehemently refuse to wear masks. “I watch this administration attack and destroy every single thing that brings me joy,” Houston writes, “air and water, sure, trees and animals, every slice of wildness we have left, but also the arts, education, diversity itself, Amtrak, solar power, the post office.” They wonder if post-pandemic life will be different. “Battling for a better world is the only occupation now,” notes Houston, “and it is women’s turn to lead the charge, maybe with a few good men in tow.”
An affecting collection of candid, heartfelt letters.Pub Date: Oct. 13, 2020
ISBN: 978-1-948814-38-6
Page Count: 176
Publisher: Torrey House Press
Review Posted Online: July 30, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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