Beautiful, moody, sad, and spooky—all at once.

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THORNHILL

Decades after the tragedy at and closure of gothic Thornhill Institute, a new girl in town is drawn into its story.

The past storyline is told through white, orphaned Mary’s diary entries (dated in the early 1980s); white preteen Ella’s modern, voiceless story unfolds, Wonderstruck-like, in intercut, illustrated, wordless sequences (frames of which occasionally have text, such as newspaper clippings). Selectively mute Mary is a puppet-making, literature-loving outcast at Thornhill, her situation complicated by the return of her chief tormenter and the ringleader of the other girls, back from a failed foster placement. These are Thornhill’s last days, the girls being sent to new placements so the property can be developed. Stoic Mary thinks she just wants to be left alone, until a taste of irresistible friendship turns to cruelty. In the present, lonely Ella is intrigued by Thornhill, especially the girl she sometimes sees beyond the locked walls. She sneaks onto the grounds, finds puppets, and repairs them before returning them, striking up an odd, at-a-distance friendship with the mysterious girl—who, she realizes, is likely the dead girl from the orphanage’s past. The puppets and doll figures take a familiar creepy motif and make it a source of joy and comfort. The striking monochromatic art is atmospheric and emotional in an understated way that gives it more power rather than less. It’s capped by an ambiguous climax and chilling denouement.

Beautiful, moody, sad, and spooky—all at once. (Horror/graphic hybrid. 10-adult)

Pub Date: Aug. 29, 2017

ISBN: 978-1-62672-654-3

Page Count: 544

Publisher: Roaring Brook

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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  • New York Times Bestseller

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GHOST

From the Track series , Vol. 1

Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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DRAMA

From award winner Telgemeier (Smile, 2010), a pitch-perfect graphic novel portrayal of a middle school musical, adroitly capturing the drama both on and offstage.

Seventh-grader Callie Marin is over-the-moon to be on stage crew again this year for Eucalyptus Middle School’s production of Moon over Mississippi. Callie's just getting over popular baseball jock and eighth-grader Greg, who crushed her when he left Callie to return to his girlfriend, Bonnie, the stuck-up star of the play. Callie's healing heart is quickly captured by Justin and Jesse Mendocino, the two very cute twins who are working on the play with her. Equally determined to make the best sets possible with a shoestring budget and to get one of the Mendocino boys to notice her, the immensely likable Callie will find this to be an extremely drama-filled experience indeed. The palpably engaging and whip-smart characterization ensures that the charisma and camaraderie run high among those working on the production. When Greg snubs Callie in the halls and misses her reference to Guys and Dolls, one of her friends assuredly tells her, "Don't worry, Cal. We’re the cool kids….He's the dork." With the clear, stylish art, the strongly appealing characters and just the right pinch of drama, this book will undoubtedly make readers stand up and cheer.

Brava!  (Graphic fiction. 10-14)

Pub Date: Sept. 1, 2012

ISBN: 978-0-545-32698-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: July 22, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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