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THE PARKOUR CLUB

Memorable, if sometimes ham-fisted.

Two teens fall for one another amid an extreme sport and an extremist plot in Withers and Hayat’s YA novel.

Sixteen-year-old Bronte Miller has returned to her hometown of Richland, Washington, after a year in Egypt. She misses her life in Alexandria, including her romance with Sarfraz, a boy from the Parkour Academy whom she kept secret from her parents. Richland is boring in comparison, at least until Yemeni refugee Karam Saif comes to town. Karam is an outsider in every way, but he and Bronte share two things in common: Bronte’s father is a journalist currently covering the war in Yemen, and they have a mutual love of the sport of parkour. Parkour—an activity that involves running, jumping, and climbing over obstacles—is popular at Bronte’s high school. There’s even a parkour club, run by the new computer teacher from France, Julian Legendre. Bronte soon develops feelings for Karam. It isn’t long, though, before suspicions between the Muslim and non-Muslim communities in Richland boil into an extremist recruitment controversy involving both teens—along with Bronte’s father and the parkour club itself! Withers and Hayat write in apt, punchy prose: “One by one, starting on the floor, we throw ourselves against the poles, sometimes bashing our poor bodies against them, mostly sliding right off like the metal is greased. But gradually, a few of us start getting it—sticking one out of five times, one out of four times.” The premise of the novel is somewhat hard to believe: Nearly every character, no matter where they are from, happens to love parkour? Really? Once the reader gets past that, the book reveals itself to be about American fears and misunderstandings of Islam and the Arab world…even if those fears and misunderstandings crop up in ways that are very on-the-nose. Bronte is perhaps a bit too angst-y, Karam a bit too idealized, and Legendre a bit too unbelievable, but fans of big, unsubtle YA sports novels will likely enjoy this intriguing blend of parkour, cross-cultural understanding, and teen romance.

Memorable, if sometimes ham-fisted.

Pub Date: April 16, 2020

ISBN: 978-0-9959103-2-4

Page Count: 220

Publisher: Self

Review Posted Online: March 18, 2021

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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