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NO, NO, BUNNY

A cute morality tale that may be especially appealing for Christian households.

Little Bunny dabbles in petty larceny.

Little Bunny sees his mother’s purse open on the table. He wants the pennies that are inside. After quickly taking them, Little Bunny continues on, taking a toy from his friend, who’s reading and unaware, and a sweet from the store. It doesn’t take long for his conscience to catch up with him, and Little Bunny tells Mama about his thefts. This board book and the concurrently published Uh-Oh, Bunny tackle the wrongs little ones can do and the measures it takes to correct them. Each board book ends with a Bible verse, specifically from Ephesians: in the case of this book, it’s “If a person is stealing, he must stop stealing,” and for the other it’s “Tell each other the truth.” The book is calmly illustrated, with somber colors and wispy lines. The repetition, Greek chorus–like, of “No, no, Bunny” is a bit unfortunate. Some readers may feel as though they’re punishing the cuddly little one. Adults may choose to articulate the repeated admonishment as “Wait, wait, Bunny,” or “Think, think, Bunny” instead.

A cute morality tale that may be especially appealing for Christian households. (Board book. 2-3)

Pub Date: March 7, 2017

ISBN: 978-0-8249-1651-0

Page Count: 16

Publisher: WorthyKids/Ideals

Review Posted Online: March 14, 2017

Kirkus Reviews Issue: July 1, 2017

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THE ITSY BITSY PILGRIM

From the Itsy Bitsy series

This holiday ditty misses too many beats.

The traditional story of the first Thanksgiving is set to the tune of “The Itsy-Bitsy Spider” and stars rodents instead of humans.

The titular itsy-bitsy Pilgrim, a mouse dressed in iconic Puritan garb, sails to “a home that’s new” with three other mice on the Mayflower. They build a house, shovel snow, and greet some “itsy bitsy new friends,” who are chipmunks dressed as Native Americans complete with feathered headbands, beaded necklaces, and leather clothing. While Rescek’s art is droll and lively, it is wildly idealized, and the Native Americans’ clothing does not reflect what is understood of Wampanoag attire. The companion title, The Itsy Bitsy Reindeer, presents equally buoyant scenes. The reindeer and several elves, who appear to be white children with pointed ears, help Santa (also white) prepare for his annual sleigh-ride delivery. In both books, would-be singers may struggle to fit all the words and syllables into the meter, and a couple of rhymes are extremely forced (“shop” and “job”?).

This holiday ditty misses too many beats. (Board book. 2-3)

Pub Date: Sept. 6, 2016

ISBN: 978-1-4814-6852-7

Page Count: 16

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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WHERE IS MILO'S BALL?

Just as visually appealing as the app at first glance, and possibly even more durable—but showing considerable fall-off in...

The blue cat that starred in the excellent app A Present for Milo (2010) makes an awful crossover from the digital domain.

Printed on extra-sturdy boards with folded (rather than glued) flaps, the episode sends Milo in search of his missing ball of string. Led by a helpful mouse, he discovers piles of yarn in various geometric shapes that, once each flap is lifted, reveal common items of the same shape. These range from a square slice of cheese to a triangular piece of pizza to a rectangular granola bar. Meanwhile, behind Milo, two other mice roll up the continual line of multicolored yarn that loops through each cartoon scene so that by the end the ball is restored. Not only is the prose numbingly wooden (“Little mouse,” says Milo, “will you help me find my ball of string?”), it is confusingly phrased. Milo rejects the square because it has “four sides,” which doesn’t distinguish it from the rectangle, and the oval egg isn’t like a ball because it’s “sort of round-ish but also long-ish.” Moreover, the concluding general romp comes off less as a resolution to the plotline than filler for the final spread. In marked contrast to his app incarnation, Milo is no more than a static presence in the art, his body shape even duplicated in some scenes rather than redrawn.

Just as visually appealing as the app at first glance, and possibly even more durable—but showing considerable fall-off in narrative quality and awareness of audience. (Board book. 2-3)

Pub Date: June 25, 2012

ISBN: 978-1-60905-209-6

Page Count: 16

Publisher: Blue Apple

Review Posted Online: April 17, 2012

Kirkus Reviews Issue: May 1, 2012

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