by Rubin Pfeffer ; illustrated by Mike Austin ‧ RELEASE DATE: May 8, 2018
Vivid colors, a multiracial cast, and seamless alliteration make this book a wonderful read—not once, not twice, but again...
This charming farm-to-table picture book hits all the right spots for the younger set.
Words and pictures share center stage. The book follows the farm cycle step by step, from seed-sowing and nurturing in the spring, through harvest and market in summer, and finally to a meal shared with friends and family. Graced with abundant water and sunlight, “seed” becomes “sprout,” then “shoot,” then “stalk.” When harvest time comes around, the bounty is “snipped” and is bound for the farmers market. At the market, farmers “sell,” and shoppers “sample” before choosing what to buy. At home in the kitchen, vegetables are prepped, cooked, and seasoned. Soon, everyone sits down to a lovely picnic dinner of corn, succotash, salad, and more! Using only words starting with the letter “S” for both the clipped primary text and sound effects and labels that grace the illustrations (“Sprinkle spice. / Stir salad”; “Shake Shake”). Pfeffer has ensured his story is a playful read as well as the perfect introduction to where our food comes from. Furthermore, the spare prose pairs well with Austin’s bold, graphic illustrations. Austin doesn’t just skillfully incorporate Pfeffer’s text directly into his art; each scene is rendered in delightful detail and features numerous layers of storytelling waiting to be revealed.
Vivid colors, a multiracial cast, and seamless alliteration make this book a wonderful read—not once, not twice, but again and again. (Picture book. 3-6)Pub Date: May 8, 2018
ISBN: 978-1-5247-1464-2
Page Count: 40
Publisher: Random House
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Julia Donaldson illustrated by Axel Scheffler ‧ RELEASE DATE: June 1, 1999
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
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by Julia Donaldson ; illustrated by Helen Oxenbury
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SEEN & HEARD
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