A young Indian intellectual’s disillusioning experience of the —romantic— ideas that lure Westerners to the East (and vice versa) is plaintively traced in this well-wrought first novel, a compact bildungsroman graced by ironic echoes of Forster and Flaubert. Samar, a Brahmin college student who acknowledges that he has little life outside the books he compulsively reads, encounters in the city of Benares several acquaintances who, in their separate ways, begin coaxing him out of his shell. Diana West (a symbolic name, n’est ce-pas?), a moneyed Englishwoman in love with India, introduces Samar to her internationally mixed circle of friends—notably, beautiful Frenchwoman Catherine and her lover Anand, a competent (if unexceptional) sitar player. A brief trip into the mountains (inviting comparison with the Marabar Caves incident in A Passage to India) throws the inexperienced Samar and the worldly Catherine together, resulting in the loss of his innocence and of her self-confidence and devotion to Anand. Simultaneously, Samar’s cautious friendship with Ranesh, an enigmatic loner with vaguely political affiliations and perhaps ambitions, introduces him to student demonstrations and overt violence, paradoxically deepening his wish to retreat into —a simplified life and world——embodied in the quickly glimpsed figure of a farm boy tending a herd of cattle. In the novel’s muted second half, Samar is called back home by his father’s illness, wills himself to forget Catherine and the seductive allure of Benares, and begins a career as a schoolteacher—all in a long falling away from the dangers—and rewards—of a life of active involvement with other people’s enticing, intimidating imperfections. Samar’s careful withdrawal from the messes that Catherine, Ranesh, and others have made of their lives is explicitly shown to be a result both of wisdom and of cowardice. A work of admirable subtlety and high intelligence, with an unfortunately low emotional temperature. It analyzes its promising content brilliantly while dramatizing it only imperfectly.
Pub Date: Feb. 1, 2000
ISBN: 0-375-50274-2
Page Count: 272
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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