From the late prize-winning Italian author Volponi (The Worldwide Machine, 1967, etc.), the first English translation of a novel written in 1974: a rich blend of political commentary and sexual farce set in 1969 Urbino. Chapters alternate between the story of aging anarchist lovers, Gaspare Subissoni and VivÇs Guardajal, and the young, naive, self-centered Count Oddo Oddi-Semproni, the darling of his two maiden aunts and the envy of his conniving chauffeur, Giocondini. After the terrorist bombing of a bank in Milan, the ailing VivÇs wants to go to Milan to seek out the truth behind the bombing and the subsequent arrest of an anarchist, but she dies before she can go. Meanwhile, the isolated Oddi-Sempronis are watching the bombing reports play out on TV and planning their various day trips with the help of Giocondini. The ambitious chauffeur wants Urbino to become an independent duchy with Count Oddo installed as the nominal overlord, while he, Giocondini, will wield the real power. A hilarious sequence ensues when the aunts dispatch Giocondini on a mission to make Oddo a man: At the first brothel, the priapic and well-endowed Oddo wows the adoring prostitutes and, in revenge, the offended Giocondini takes him to a decrepit brothel where Oddo encounters the love of his life, the maid Dirce, whom he brings back to the palace. But Dirce is unhappy and runs away, eventually taking refuge with the now-widowed Subissoni. As the search for the runaway bride commences, Giocondini believes his crafty plans will mesh with Subissoni's own wishes for an independent Urbino; instead the plot takes a surprising turn and ends on a tragic note. The politically complex- -and philosophy-laden—Subissoni narrative takes on a new power after VivÇs's death: The chapter detailing her cremation and Subissoni's utter loneliness is chilling and moving. Meanwhile, the dim-witted count and his family, described with amused irony, provide a droll counterpoint to the intensity of the anarchists' plotline. Demanding but ultimately rewarding fiction.
Pub Date: March 1, 1995
ISBN: 0-934977-33-X
Page Count: 352
Publisher: Italica Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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