Following an unorthodox reworking of the Robin Hood legend (Robin and the King, 1993, etc.), the versatile Godwin attempts to novelize the famous Old English poem, Beowulf, with its sixth- century setting in Denmark and southern Sweden. In Godwin's interpretation, Beowulf, while still an untried stripling, gets drunk with his companions and vows to go raidinga promise he can't back out of once he sobers up. He and his fellows attempt a foolhardy landing on a well-defended Frisian island and are slaughtered; Beowulf survives by running away. From this incident he gains an overwhelming need to prove himself in battle, no matter what the odds. Later, he will challenge the monster Grendelhere presented as the halfling son of the giantess Sigyn, daughter of the trickster god Loki, and Shild Scefing, king of the Spear-Danes. Having slain Grendel, Beowulf must also deal with the even more fearsome Sigyn. As king of the Geats, Beowulf does his best to rule wisely and welluntil, approaching old age, he must once again take up arms to kill (and be killed by) a terrible dragon. Godwin does attempt to give the hero a personality, and provides companions and a mistress. But his evocation of time and place is wretched (cf. Harry Harrison's superb The Hammer and the Cross, 1993, etc.). Succeeds neither as historical reconstruction nor as heroic fantasy: a tame, uncompelling, sadly mediocre enterprise.
Pub Date: Sept. 15, 1995
ISBN: 0-688-12738-X
Page Count: 256
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
A flawed but satisfying SF adventure that is, at times, mind-blowing.
Jordan’s ambitious debut novel is an epic science-fiction adventure that chronicles the journey of an orphaned Human girl—believed to be the last member of an extinct species—from interstellar pariah to potential savior of her infamous race.
Sarya the Daughter lives with her adopted mother, Shenya the Widow—a giant, spiderlike “apex predator…wrapped in lightning and darkness”—on an orbital water-mining station in the rings of a giant gaseous planet. As a citizen of the Network, a vast accumulation of intelligence consisting of millions of species that has enabled faster-than-light travel and prevented conflict for a half-billion years, Shenya has protected Sarya and lied about her true identity: She is a Human, the one race destroyed by the Network because of its destructive tendencies. But when a bounty hunter attempts to abduct Sarya and her home is destroyed, the little Human finds herself on the run and all alone in a universe inhabited by godlike intelligences who may be using her as a pawn in a much deeper game. As she learns more about her race’s tumultuous relationship with the Network, she begins to realize that even one small, moderately intelligent bipedal being can make a difference, even when it involves conflicts with godlike entities. The sheer scope of the story is noteworthy, from the various intelligence tiers, which include groupminds and sentient planets, to the colossal settings (orbital stations, spaceships, the end of the universe, etc.). The theme of free will also packs a powerful punch. But while the grand-scale premise of the narrative is laudable, the story gets unwieldy in places, and the momentum suffers. Additionally, Sarya—while an intriguing character—never becomes fully three-dimensional, and the emotional impact of her journey feels muted and detached, overshadowed by the massiveness of the story unfolding around her.
A flawed but satisfying SF adventure that is, at times, mind-blowing.Pub Date: March 24, 2020
ISBN: 978-0-451-49981-3
Page Count: 448
Publisher: Del Rey
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
PERSPECTIVES
For die-hard mermaid-fiction lovers only.
When a young librarian comes into possession of the diary of a traveling circus from more than 200 years ago, he decides the book may hold clues to a family mystery he needs to solve to save his sister’s life.
Narrator Simon and his younger sister, Enola, grew up in an 18th-century house on a bluff overlooking Long Island Sound. Taking after her mother, a former circus performer who drowned herself when Simon was 7, Enola travels with a carnival as a tarot card reader. Simon is still living in their dangerously dilapidated family home when, out of the blue on one June day, he receives a book from an antiquarian bookseller, who had noticed Simon's grandmother's name inside. Soon Simon discovers a frightening pattern among his female ancestors, all unnaturally good swimmers, all drowning as young women on July 24. If this “coincidence” sounds a bit far-fetched, it sets the bar for the novel’s credibility. Swyler intercuts Simon’s present drama—intensifying research into the diary’s history, loss of his job at the local library, incipient but already rocky love affair with fellow librarian Alice, return home of Enola, irretrievable collapse of the family manse—with the romantic tragedy of Amos, a traveling circus performer, and Evangeline, an aquatic performer with a guilty secret. Born in the 1780s and abandoned by his parents, Amos is mute when he joins a traveling troupe to perform a disappearing act as a “Wild Boy.” The fortuneteller takes him under her wing, teaching him to read the future. But despite her warnings, he falls for the dangerously mysterious Evangeline. She has his baby girl, and the havoc that follows leads straight to the curse that Simon, a whiny loser, is frantic to solve before someone else dies. A bit fey, even as romantic whimsy.
For die-hard mermaid-fiction lovers only.Pub Date: June 23, 2015
ISBN: 978-1-250-05480-7
Page Count: 336
Publisher: St. Martin's
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
BOOK REVIEW
BOOK REVIEW
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