A lovingly narrated, sharply nuanced memoir from a talented activist.
A Pashtun girls’ education advocate and tribal leader reflects on Afghanistan's uncertain future.
Despite being a “third-generation refugee,” Durrani considers herself “privileged.” The daughter of an influential tribal leader, she grew up in a home large enough to dedicate two rooms to a family-run community school—despite the fact that her family owned land in Pakistan where they could have lived. Although Durrani understood that “educating girls was our family business,” it wasn’t until her 9-year-old friend and academic rival was forced to drop out of school to marry a widower in his late 30s that Durrani’s interest in this field went from professional to personal. “If you’re a tribal woman,” she writes, “the bar for activism is low. Trained our entire lives to be neither seen nor heard, whenever one of us tries to raise her voice, it becomes a political act.” Much to her mother’s dismay, the author’s dedication to girls’ education was so intense that she turned down a prestigious college preparation program at Oxford to start a nonprofit organization that used pre-loaded, solar-powered tablets to deliver educational content to Afghan girls who were unable to access formal schooling. When the pandemic, the American military withdrawal from Afghanistan, and—most devastatingly—her father’s unexpected death threatened the group’s future and her family’s financial security, Durrani was forced to choose between her mission and her life. Written with the assistance of veteran war correspondent Bralo, the text offers consistently adept observations, whether describing a dangerous border crossing as a mission that “required a Beyoncé-like number of wardrobe changes” or trenchantly illustrating how the widely underestimated tribal culture was, in fact, nimbler than the Afghani government and Western aid. Durrani’s voice sparkles with humor and grit, and she is a gifted storyteller, equally comfortable analyzing Afghanistan’s gender inequity and defending the strengths of the oft-underestimated culture and country she loves.
A lovingly narrated, sharply nuanced memoir from a talented activist.Pub Date: Feb. 20, 2024
ISBN: 9780806542447
Page Count: 288
Publisher: Citadel/Kensington
Review Posted Online: March 3, 2023
Kirkus Reviews Issue: April 1, 2023
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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