Although potty lit for toddlers is a crowded field, this warm, encouraging entry is a welcome addition.
In this abecedarian book, debut author-illustrator Mutunga offers toddlers and their parents an inviting approach to toilet training.
A big-eyed, blond boy is the star in the simple, eye-catching illustrations for each letter, beginning with “Aa is for Ask”—as in the unlikely question, “Can I go to the bathroom, please?” Putting a book that promotes positive toilet training into alphabetical form is a tall order, but Mutunga manages to create a reasonable, enjoyable line through the potty training process. For instance, the bright primary colors of the sink, toilet and potty chair illustrating “Bb is for bathroom” make for an appealing scene. While “Dd is for Done” seems a bit premature, later entries such as “Oo is for ‘Oops’ ” acknowledge the inevitable missteps on the journey from diapers to underwear. Several illustrations show a supportive mom, though she’s joined by a father in just two pictures and what appears to be an older sister in only one. Some letters, such as “Mm is for Milestone” and “Vv is for Violet”—a color of underwear—are a stretch, but they’re counterbalanced by perfect pairings like “Qq is for Quit,” with the mother saying, “Do you want to quit wearing diapers? You will quit when you’re ready,” juxtaposed with “Rr is for Ready!”, which shows a train with a red, potty chair–shaped engine approaching. The tough letter “Xx is for eXcuse-me” is a little weak, and the illustration of the wet, embarrassed boy next to a puddle on the floor may upset some young readers, though the lead-in—“Ww is for Wet,” which says, “When you get wet, don’t fret! Just say, ‘Excuse me!’ ”—wins points for creativity. On the final spread, the loving bond between parents and child at bedtime makes “Zz is for ZZzzz” and “Good night, sleep tight” a satisfying ending.
Although potty lit for toddlers is a crowded field, this warm, encouraging entry is a welcome addition.Pub Date: Nov. 8, 2013
ISBN: 978-1481871204
Page Count: 30
Publisher: CreateSpace
Review Posted Online: Jan. 22, 2014
Review Program: Kirkus Indie
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An intriguing but uneven family memoir and travelogue.
An author’s trip to Venice takes a distinctly Borgesian turn.
In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.
An intriguing but uneven family memoir and travelogue.Pub Date: April 2, 2024
ISBN: 9781953368669
Page Count: 144
Publisher: Belt Publishing
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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