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P IS FOR POTTY

MY POTTY ABCS

Although potty lit for toddlers is a crowded field, this warm, encouraging entry is a welcome addition.

In this abecedarian book, debut author-illustrator Mutunga offers toddlers and their parents an inviting approach to toilet training.

A big-eyed, blond boy is the star in the simple, eye-catching illustrations for each letter, beginning with “Aa is for Ask”—as in the unlikely question, “Can I go to the bathroom, please?” Putting a book that promotes positive toilet training into alphabetical form is a tall order, but Mutunga manages to create a reasonable, enjoyable line through the potty training process. For instance, the bright primary colors of the sink, toilet and potty chair illustrating “Bb is for bathroom” make for an appealing scene. While “Dd is for Done” seems a bit premature, later entries such as “Oo is for ‘Oops’ ” acknowledge the inevitable missteps on the journey from diapers to underwear. Several illustrations show a supportive mom, though she’s joined by a father in just two pictures and what appears to be an older sister in only one. Some letters, such as “Mm is for Milestone” and “Vv is for Violet”—a color of underwear—are a stretch, but they’re counterbalanced by perfect pairings like “Qq is for Quit,” with the mother saying, “Do you want to quit wearing diapers? You will quit when you’re ready,” juxtaposed with “Rr is for Ready!”, which shows a train with a red, potty chair–shaped engine approaching. The tough letter “Xx is for eXcuse-me” is a little weak, and the illustration of the wet, embarrassed boy next to a puddle on the floor may upset some young readers, though the lead-in—“Ww is for Wet,” which says, “When you get wet, don’t fret! Just say, ‘Excuse me!’ ”—wins points for creativity. On the final spread, the loving bond between parents and child at bedtime makes “Zz is for ZZzzz” and “Good night, sleep tight” a satisfying ending.

Although potty lit for toddlers is a crowded field, this warm, encouraging entry is a welcome addition.

Pub Date: Nov. 8, 2013

ISBN: 978-1481871204

Page Count: 30

Publisher: CreateSpace

Review Posted Online: Jan. 22, 2014

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THE MINOTAUR AT CALLE LANZA

An intriguing but uneven family memoir and travelogue.

An author’s trip to Venice takes a distinctly Borgesian turn.

In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.

An intriguing but uneven family memoir and travelogue.

Pub Date: April 2, 2024

ISBN: 9781953368669

Page Count: 144

Publisher: Belt Publishing

Review Posted Online: Nov. 17, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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MANUAL NOT INCLUDED

Of most interest to dyed-in-the-wool lovers or haters.

“Not a Cinderella story.”

Baldwin’s loosely written memoir is about motherhood and pregnancy loss, marriage to a celebrity, being the target of gossip and criticism, the experiences of neurodivergency and bilingualism, and more. “When Alec and I met, I was twenty-seven and he was fifty-three,” she writes. “Now, it’s nearly a decade and a half later….People always ask me: What is life actually like with seven kids (and an Alec)? It’s amazing and chaotic.” This book comes on the heels of the first season of the family’s reality show, The Baldwins, seemingly designed to answer the same burning question. While the author seems like a nice, well-meaning person, one comes away from this memoir hoping the television version, with the story sculpted by professionals, is the more entertaining response. Given the fact that there has been controversy about Baldwin’s background, perhaps she should have written a straightforward autobiography. But she has not, and the reader might need to do some research to understand the nature of some of the attacks she writes about. The veracity of her Spanish identity has come under fire, as her birth name is Hilary, she was born in Boston, and is not of Latine descent—but you won’t learn those facts from this book. The author’s relative youth, her choice to have her sixth child via surrogate, and Alec Baldwin’s involvement in the death of a colleague on a film set have all been media fodder. She discusses several specific nemeses without naming them, which is not very interesting. “I grapple with the question: Why am I here in the public space? Why am I ‘relevant’? Am I here because an actor fell in love with me? Am I here because I’m a yoga teacher and have things to say about mental and physical health? Am I here because I had a lot of kids?” It’s not clear that she knows, and neither will you.

Of most interest to dyed-in-the-wool lovers or haters.

Pub Date: May 6, 2025

ISBN: 9781668009987

Page Count: 224

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 6, 2025

Kirkus Reviews Issue: June 15, 2025

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