The intriguing contours of a relationship are laid tantalizingly bare in these thoughtful poems.
This collection of poetry describes the downward arc of an unpredictable love affair.
“You enter, / capture me like a riptide I can’t escape,” writes Trozzolo, recalling the overwhelming power of the first encounter of a relationship that the poet asserts is fictional. From lust to longing, infatuation to infidelity, Trozzolo examines the internal workings of a love affair. The tenderly mordant poems open with a short, italicized commentary intended to define a specific moment in the relationship. For instance, prior to “Multitask,” the author states dryly: “We stayed together—almost committed. I was never your priority.” The poetry that follows attempts to capture a snapshot of these shifting emotional sands. In this case, the first stanza’s opening reads tersely: “Sounds like you’re giving / dictation as we make love.” The poems tackle everything from dangerous sexual infatuation (“You lure with your sweetness / and kill the future so beautifully”) to the dispiritingly hollow moment when a lover says, “Let’s be friends”: “There has never been / anything platonic about us.” As the collection closes, the poet is left to wrestle with the memory of a love that could never last. Trozzolo offers a refreshingly unique perspective on the ecstasies and endgames of romance. It is fascinating to observe the gradient of emotional intensity shift as the volume progresses. The opening crackle of sexual energy dissipates into flat reportage, as attentively captured in “How Was Your Day?”: “All I hear are low notes and misery. / Tell me instead of boats and clouds, / of speed and sex and dreams and bad ideas.” The hope of a return to more fulfilling days lies cleverly embedded in the poems but is never fully revived. Trozzolo is a master of the laconically poignant statement, distilling the complexities of entering couples’ therapy into two impactful lines: “Here we sit six feet apart, separated by heat and memories.” There are occasions when the writing can prove cloyingly clichéd: “You lean in close and whisper, ‘Follow me.’ Instantly I know I will never forget you.” But this can be excused since romance itself trades heavily in clichés. Still, this is sharp, emotionally observant writing that elegantly captures the bittersweet remembrance of bygone love.
The intriguing contours of a relationship are laid tantalizingly bare in these thoughtful poems.Pub Date: N/A
ISBN: N/A
Page Count: 37
Publisher: Manuscript
Review Posted Online: Oct. 10, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A beautifully produced, engaging homage.
Celebrating a beloved artist.
Published to coincide with a major exhibition of works by British-born artist David Hockney (b. 1937) at the Fondation Louis Vuitton, Paris, this lushly illustrated volume offers a detailed overview of the artist’s life and work, along with chapters focused on his various styles and subject matter, a chronology, and a glossary of the many techniques he employed in his art, including camera lucida, computer, and video. Contributors of essays include noted art historians and curators, such as Norman Rosenthal, who edited the volume; Simon Schama; Anne Lyles; James Cahill; and François Michaud. Growing up in the north of England, Hockney was drawn to the light and sparkle that he found in Hollywood movies. When he finally arrived in Los Angeles, the sunlit landscapes inspired him, and his new sense of artistic freedom concurred with sexual freedom: As a gay man, he felt liberated from the constraints that had weighed on him in Britain, even in the “relative Bohemia” of the Royal College of Art. Essayists reflect on his artistic interests, such as landscapes, portraiture, flowers, and the opera—for which he created boldly exuberant sets—as well as on his influences and experimentation. Michaud examines the impact on Hockney of a visit to Paris in the 1970s, where he became familiar with Henri Matisse and his contemporaries from museum exhibitions. In the 1990s, visiting his mother and friends in Yorkshire, Hockney painted both outdoors and in the studio, experimenting with various media—including the photocopier and fax machine—as he worked to render the woodsy landscape. As a companion to the exhibition, the volume offers stunning reproductions of Hockney’s prolific works. Enormously popular with museumgoers, Hockney, Rosenthal exults, “transforms the ordinary and the everyday into the remarkable.”
A beautifully produced, engaging homage.Pub Date: June 3, 2025
ISBN: 9780500029527
Page Count: 328
Publisher: Thames & Hudson
Review Posted Online: April 16, 2025
Kirkus Reviews Issue: May 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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