Near/medium-future cyberpunk yarn from the author of the paperback Fools (1992), etc., and numerous well-known stories. Artificial Reality is indistinguishable from external reality; all enthusiasts and addicts need to enter it is a “hotsuit” and a helmet. Police Lieutenant Dore Konstantin investigates a DOA found in an AR parlor; the victim is a 17-year-old Caucasian with a messily cut throat. In AR he called himself Shantih Love, or perhaps Tom Iguchi, though he wasn’t Japanese; his favored scenario was post-Apocalyptic Noo Yawk Sitty—wherein, Konstantin discovers, eight deaths have occurred in as many months. There were no witnesses, and nobody was seen to enter or leave the booth where the boy died. Meanwhile, Yuki, a full-blooded Japanese (Japan itself has been destroyed), attempts to locate her mysteriously vanished boyfriend, Tom Iguchi. She meets Tom in Noo Yawk Sitty, but he’s trapped somehow in AR; worse, someone else is experiencing everything she experiences, wearing her just as she wears the hotsuit supplied by shady AR facilitator Joy Flower. Konstantin, though a novice and completely out of her depth, is also forced to enter AR in order to develop new information. She borrows the Shantih Love ID, complete with cut throat, and eventually learns that the enigmatic Body Sativa knows everything that’s going on in AR. A parlor employee, it emerges, was supplying drugs to clients, enabling them to “speed” up to the higher levels of AR enjoyed by clubbers, manipulators, and various wannabes. Poor Yuki, meanwhile, finds she has become Joy Flower’s slave. Konstantin will find it perplexing to sort out the swirl of motives and multiple identities, or even distinguish AR from reality. The murder mystery’s well constructed and often absorbing—but AR is no different from VR, and the intractable problem remains: when anything can happen, how is it possible to care when something does?
Pub Date: Oct. 19, 1998
ISBN: 0-312-86665-8
Page Count: 256
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
BOOK REVIEW
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and...
This future space fantasy might start an underground craze.
It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.
With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.Pub Date: Oct. 15, 1965
ISBN: 0441013597
Page Count: 411
Publisher: Chilton
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Oct. 1, 1965
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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