Duncker gets the high melodrama and pedagogy of a Victorian novel right but does not achieve the contemporary distance that...
Scandalous novelist George Eliot throws 1870s Berlin society into a tizzy in Duncker’s (The Strange Case of the Composer and His Judge, 2010, etc.) Victorian roman à clef.
Feckless Max Duncker (not a coincidental surname) is assigned by his older brother and publishing partner to get the pseudonymous Middlemarch author (referred to by the authorial Duncker only as “Mrs. Lewes” or “the Sybil”) to sign their contract. Simultaneously, the elder Duncker is arranging a marriage between rakish Max and the young countess Sophie von Hahn, who is rich, spirited, and a die-hard Eliot fangirl. During negotiations, the Sybil accidentally seduces Max through her relentless pedantry about the Roman writer Lucian. Between visits to her parlor, he slouches through the pleasure city of Homburg, Berlin salons, and the German forests in set pieces that put the author’s deep knowledge of 19th-century society to good use. Sophie resents the restrictions of her class and gender, but when her beloved, bejowled author meddles in her engagement, she becomes enraged by the Sibyl’s influence on Max. This love triangle relies on the reader being convinced of two things: Max and Sophie’s love for each other and men's magnetic attraction to the Sibyl. Unfortunately, Duncker tends to declare emotional truths without shoring them up, such as the very pinnacle of Max and the Sibyl’s intimacy: “Something intangible in her company lifted him up from the swamps of his own selfishness. He vowed he would never visit a prostitute or gamble at the tables again.” Additionally, if the reader does not share Duncker’s fascination with the moralizing writer, the narrator’s frequent interruptions of the period piece with commentary and scholarly analysis become tedious.
Duncker gets the high melodrama and pedagogy of a Victorian novel right but does not achieve the contemporary distance that has made other neo-Victorian tales so delectable.Pub Date: Aug. 5, 2015
ISBN: 978-1-63286-064-4
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: June 3, 2015
Kirkus Reviews Issue: June 15, 2015
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Michaels’s cluttered style has been noticeably trimmed this time around, which keeps the over-the-top plot moving right...
Good brother, bad brother.
It’s 1984: Rick, a wild young Hollywood star and all-around stud, is boozing heavily and secretly doing drugs—but he’s been warned. His controlling, money-mad, hyper-responsible older brother Philly isn’t going to bail him out next time, or square things with that dated entity referred to only as “the studio.” Skip to 1999: Rick’s sobered up and he’s still going strong. “He had a tinge of gray at his temples these days, but the studio expertly covered it up.” (The prolific Michaels may have been too busy churning out bestsellers to notice that studios haven’t kept actors under contract for decades, but never mind.) Rick skips the dye job, however, when Philly dies in an accident and leaves most of his estate to his ne’er-do-well brother, who gives up acting and takes over the resorts-for-the-rich that Philly was developing, though Roxy, Philly’s trashy wife, resents him for it. Ditto Reba, Roxy’s plastic surgeon daughter: Philly was like a father to her but he didn’t leave her much money. Well, what the hell, Rick wants to make everyone happy and redeem himself, so he lets Roxy take over the Crown Jewel, their flagship island resort—and he makes peace with Max and Tyler, the grown sons who never knew him (Philly paid off their mothers), then befriends tough but cute reporter Gracie Lick, and investigates the mystery of Philly’s parentage. Gee, Philly was adopted! Can it be true that Philly’s real mother, 14 when he was born, is now married to aged billionaire Armand Farquar? And did the young Lorraine rescue her newborn son from a Dumpster when her heartless lover tossed him in and then bravely give him up for adoption? She did! And is her lover, Philly’s father, now the Vice President of the United States? He is! Will reporter Gracie Lick take this unlikely story and run with it? She will!
Michaels’s cluttered style has been noticeably trimmed this time around, which keeps the over-the-top plot moving right along. For the fans.Pub Date: Dec. 30, 2003
ISBN: 0-7434-5779-X
Page Count: 320
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2003
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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