A quick-witted depiction of moviemaking best suited for contemplative romantics.
A group of famous film actors moves to Sweden to shoot an unconventional movie in Leavy’s novel.
The avant-garde French filmmaker Jean Mercier is making a new English-language film featuring many fan-favorite celebrities. Considered a thoughtful and cerebral director, Mercier’s choice of actors, including a former teenage heartthrob and an action-adventure star, is unexpected. As per Mercier’s instructions, the actors will be required to live together, on location in Sweden, for the duration of the shoot. Of particular note is 42-year-old movie star Finn Forrester, who tries to break up with his longtime girlfriend, Savannah, just before he departs. Savannah will have none of it, however, telling Finn to wait until his return to make any decisions. Two weeks into the shoot, the American philosopher and artist Ella Sinclair arrives on set, and Finn is immediately smitten (“She’s a real artist through and through, the embodiment of inspiration. And not bad to look at either”). Ella seems to be Mercier’s muse, and Finn is at first unsure whether it’s acceptable to pursue her. As the pair grow closer, Finn wonders how he could ever have a meaningful life without Ella in it. Meanwhile, Ella worries Finn is being disingenuous about his intention to end his preexisting relationship. As readers are treated to a delightful will-they, won’t-they romp, the group of actors grows progressively closer, and many of their lives are changed irrevocably. There are many scenes in which the cast, a cerebral group, engages in compelling and high-level philosophical debates about art, sex, films, and more. Each character is more charming than the next, and the stay at the Swedish home seems like great fun, but there are moments when excessive detail stalls the otherwise lively narrative; much of the story unfolds over meals, in which characters place one food order after another, again and again. Other details about the setting (that might help ground the reader in the action) are sparse. Even so, the intellectual discussions throughout the book prove fresh and engaging and will keep the pages turning.
A quick-witted depiction of moviemaking best suited for contemplative romantics.Pub Date: Oct. 10, 2023
ISBN: 9781647425678
Page Count: 224
Publisher: She Writes Press
Review Posted Online: June 26, 2023
Review Program: Kirkus Indie
Light on plot and heavy on bolstering traditional gender norms as the ultimate goal for both men and women.
A Seattle woman meets a Chicago businessman as she flies home from a visit to a friend, and her small act of kindness blossoms into more.
Maisy Gallagher is barely making ends meet. With her father’s unexpected death a few years earlier, she dropped out of nursing school to help out in the family’s jewelry store, working with her uncle. Her older brother, Sean, also moved back home so he and Maisy could help their mother and their 10-year-old brother, Patrick. When Maisy offers a ride to a rude businessman who sat next to her on the plane, she’s just operating on the kindness her grandmother instilled in her. That businessman, Chase Furst, turns out to be an incredibly wealthy banker; he’s flown into Seattle to make funeral arrangements for his mother, to whom he hasn’t spoken in years. Sparks fly in this gentle and predictable romance that leans heavily on long-distance and class-divide tropes. As with many of the author’s books, Christianity and the characters’ reliance on God’s will—as they wait and see what happens next—play a large part, as do traditional gender roles where women cook, clean, and only work in paying jobs until they have children at home to take care of. The author does offer a lighter touch when it comes to the painful ways alcoholism can destroy family relationships, with an understanding of the regret that can weigh on every family member.
Light on plot and heavy on bolstering traditional gender norms as the ultimate goal for both men and women.Pub Date: April 28, 2026
ISBN: 9798217091676
Page Count: 320
Publisher: Ballantine
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
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