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LALA SALAMA

A TANZANIAN LULLABY

Share this with preschoolers who may enjoy a peek into another culture’s family life or keep at hand for the tired child,...

Newbery Medal–winner MacLachlan (Sarah, Plain and Tall, 1985) sets her gentle picture book–cum-lullaby near Lake Tanganyika in Tanzania.

Her recent Your Moon, My Moon: A Grandmother's Words to a Faraway Child, illustrated by Bryan Collier (2011), travels similar territory—sharing comforting words to a beloved young one. “Lala salama” means “sleep peacefully” in Swahili and serves as a soothing refrain in the rhythmic narrative from mother to baby as the day unfolds. Zunon’s lush, softly textured oil paintings on watercolor paper reflect the warmth of the African setting and emotion-imbued prose. Saturated warm hues dominate in clearly depicting the unfamiliar, whether it be a kanga, a brightly colored cotton cloth often used as a baby sling, or “the bee-eaters” that “twitter their last songs of the day…” Baba (father) plays an active role, laughing with his baby or preparing his wooden boat to join “other boats, / their flour-sack sails / fat with wind.” But then night comes, and the palette deepens into rich blues and inky purples: “Close your eyes, / my / dear / child. / Lala salama.

Share this with preschoolers who may enjoy a peek into another culture’s family life or keep at hand for the tired child, who will most appreciate this quietly sentimental offering. (Picture book. 3-5)

Pub Date: Nov. 1, 2011

ISBN: 978-0-7636-4747-6

Page Count: 32

Publisher: Candlewick

Review Posted Online: Sept. 6, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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I LOVE YOU MORE THAN CHRISTMAS

Like marshmallow on top of caramel.

Little Bear loves everything about Christmas, but there’s one thing he loves even more.

The Bear household is busily getting ready for Christmas. Mommy Bear wraps and bakes; Daddy Bear brings home a humongous tree; Little Bear exults in it all. With each new Christmas tradition that’s introduced, from opening Christmas cards to receiving carolers, Little Bear sings a song that celebrates it. “I love ornaments, and garland, and lights on a string, / candy canes, stockings—and all of the things / that make Christmas perfect—oh, yes, I do! / But the thing that I love more than Christmas is—” But before Little Bear can complete his rhyme, each time he is interrupted by a new element of Christmas to celebrate. Since that terminal rhyme is always set up with one that ends with an “oo” sound, readers will not be surprised in the least when Mommy and Daddy interrupt him one last time with an emphatic “YOU!” It’s all so uber-idealized readers may find themselves gagging on the syrup—it even seems to get at Hattie: Daddy Bear’s smug “What an exceedingly talented family we are” has a whiff of irony to it. Warnes’ cartoon bears inhabit a cozy, middle-class home; while the carolers are clothed, the Bear family is not, but readers may notice a white marking on Mommy Bear’s chest where a string of pearls might rest.

Like marshmallow on top of caramel. (Picture book. 3-5)

Pub Date: Sept. 15, 2020

ISBN: 978-1-68010-208-6

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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TO THE MOON AND BACK FOR YOU

Though it looks like a book for longed-for children, it’s really for their parents.

A poetic ode to women who became mothers despite the challenges they faced.

Whether navigating the roughest seas, crossing the hottest deserts, or pushing through painful brambles, the mothers in this book know their long, hard journeys were worth the effort. There might have been failure and doubt, but now that it’s all over, they know they’d “do it all over again. For you.” First-person narration expresses in metaphor the extraordinary lengths some mothers will go to achieve their dream of holding a child in their arms. Sentimental and flowery, the text is broad enough to apply to the journeys of many mothers—even though the text is gender neutral, the illustrations clearly center the mother’s experience. At times another figure, often male-presenting, is shown alongside a mother. Soft, jewel-toned illustrations peppered with textures depict families with a variety of skin tones and hair colors/textures. The assortment of mothers shown demonstrates the universality of the message, but it also contributes to the absence of a strong visual throughline. In the concluding author’s note, Serhant shares her personal struggle to conceive her child, which included fertility treatments and IVF. Ultimately, although the sentiment is lovely, the message is too abstract to be understood by children and will be better received and appreciated by parents.

Though it looks like a book for longed-for children, it’s really for their parents. (Picture book. 3-5)

Pub Date: March 24, 2020

ISBN: 978-0-593-17388-6

Page Count: 32

Publisher: Random House

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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