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THE HUNDRED-YEAR BARN

A cozy filter through which to imagine growing up.

Known for animating America’s past for young readers, MacLachlan here imagines a community barn-raising from a century ago.

The setting is simply “a meadow,” leaving room for Pak’s atmospheric mixed-media and digital compositions to fill in physical and emotional elements. Burnt sienna is the predominant color of the landscape; it surrounds the minimalist figures like a textured veil, emphasizing their ties to the Earth. The narrator, 5 years old at the start, is identified by a red cap and dark hair. He holds the ladder while wooden frames are bolted to beams, plays with neighbors in the stream, and enjoys the celebratory picnic and the photograph that records the gathering. Characters have various skin tones—whether from ethnicity or sun, it is hard to say—but the protagonist and his family present white. This quiet tale captures the rhythm of rural life throughout seasons—and then over generations—with the solid structure at the center of daily chores, fond interactions with animals, sleepovers with cousins, and weddings. The moments of highest drama involve a wedding ring lost by the protagonist’s father during construction and recovered in a barn owl’s nest when the son has become the farmer. MacLachlan weaves in an abundance of details that will appeal to children with no firsthand experience with farming: “Once, a lamb named Baby pushed me over and licked my face with his little tongue.”

A cozy filter through which to imagine growing up. (Picture book. 4-7)

Pub Date: Sept. 10, 2019

ISBN: 978-0-06-268773-9

Page Count: 48

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: May 21, 2019

Kirkus Reviews Issue: June 15, 2019

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GAGA MISTAKE DAY

Who wouldn’t love spending time with a memorable grandmother like this?

Grandma’s so-called errors are enough to drive anyone gaga—but in the best possible way.

On Saturdays, when Gaga visits her 4-year-old grandchild—who narrates the story—she “makes lots of mistakes.” Sometimes she wears her fuzzy slippers on her ears. Or she and her grandchild switch their eyeglasses so neither of them can see a thing. Or she substitutes a chocolate bar for chewing gum, rationalizing, “Isn’t that gum? You can chew it.” Gaga sees nothing wrong in reading an upside-down book to the child. On treks to the park, the pair walk backward. Occasionally, the protagonist’s parents disapprove of Gaga’s ideas, such as feeding their child marshmallows before dinner or filling the tub to overflowing with soap bubbles. But grandchild and Gaga agree that “mistakes are fun, aren’t they?” This is a gently comical tribute to warm, deeply loving grandmother-grandchild relationships. Gaga clearly understands that adults can easily form close bonds with kids if they use humor, behave in a childlike manner themselves, and appreciate a youngster’s sense of wonder and absurdity. The message here is that more grown-ups should make the “mistake” of loosening up a bit. The dynamic pencil, watercolor, and gouache illustrations are as free-wheeling and entertaining as gray-haired Gaga, who is pale-skinned; the protagonists and the parents are brown-skinned.

Who wouldn’t love spending time with a memorable grandmother like this? (Picture book. 4-7)

Pub Date: April 2, 2024

ISBN: 9780593529461

Page Count: 32

Publisher: Rocky Pond Books/Penguin

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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ADDIE ANT GOES ON AN ADVENTURE

Young readers will be “antsy” to join the hero on her satisfying escapade.

An ant explores her world.

Addie Ant’s ready for adventure. Despite some trepidation about leaving the Tomato Bed, where she lives with her aunt, she plucks up her courage and ventures forth across the garden to the far side of the shed. On her journey, she meets her pal Lewis Ladybug, who greets her warmly, points the way, and offers sage advice. When Addie arrives at her destination, she’s welcomed by lovely Beatrix Butterfly and enjoys an “ant-tastic” helping of watermelon. Beatrix also provides Addie with take-home treats and a map for the “Cricket Express,” which will take her straight home. Arriving at the terminal, Addie’s delighted to meet another friend, Cleo Cricket, whose carriage service returns Addie home in “two hops.” After eating a warm tomato soup dinner, Addie falls asleep and dreams of future exploits. Adorable though not terribly original, this story brims with sensuous pleasures, both textual and visual. Kids who declare that they dislike fruits or veggies may find their mouths watering at the mentions and sights of luscious tomatoes, peas, beans, watermelons, berries, and other foodstuffs; insect-averse readers may likewise think differently after encountering these convivial, wide-eyed characters. And those flowers and herbs everywhere! The highlights are the colors that burst from the pages. Addie’s an endearing, empowering character who reassures children they’ll be able to take those first independent steps successfully.

Young readers will be “antsy” to join the hero on her satisfying escapade. (author’s note about ants) (Picture book. 4-7)

Pub Date: April 9, 2024

ISBN: 9781797228914

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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