A charming look into an unusual musical collaboration.
The captivating confluence of a gifted cello player, the brilliant songs of the nightingale, and the wonders of early radio.
Beatrice Harrison, nicknamed Baba by her musical family, was born in India in 1892, but soon after, they moved to England, where the Harrisons were originally from. While still a toddler, Baba encountered her first cello during a performance by her military father’s regimental band. Newman’s lively and informative text describes her subject’s early years as she insists that “Baba play Tello.” After learning the basics of music on the violin and piano, she finally got her first cello at age 9, and the instrument “sang like a nightingale”—a subtle bit of foreshadowing. Lauded by audiences worldwide, she also performed for injured soldiers during World War I. One night while playing in her garden, she was amazed as a nightingale began to sing along with her cello; here the illustrations take on a glowing, almost magical quality. Beatrice convinced the fledging BBC to make the first recording ever of a wild bird singing while she played. For the next 12 years every spring millions around the world would listen to this enchanting duet. With a nod to Baba’s Edwardian world, the precise ink and watercolor illustrations work seamlessly to extend the vibrant story and to set the scene for Beatrice’s lifelong interest in nature and music.
A charming look into an unusual musical collaboration. (timeline, author’s note, bibliography, photographs, information on Beatrice’s life, nightingales, and early radio) (Picture-book biography. 5-9)Pub Date: Feb. 10, 2026
ISBN: 9781682637272
Page Count: 48
Publisher: Margaret Quinlin Books/Peachtree
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
