Next book

THE RIDDLE OF ALABASTER ROYAL

Another roistering Regency romance of mystery and suspense from the author of Lanterns (1996), among many, many others. Veryan fans will recognize some enjoyable staples here: a beset but tender-hearted hero, kind to children and animals; his entertaining chums; lively and irreverent servants; a set of noble nasties; and a heroine of Waspish waist and wit. There's also plenty of action, of course, and here the calamities confer on a supposedly haunted mansion, plus a murder or two and general mayhem. Captain Jack Vespa, only son of elegant Sir Kendrick, has returned from the horrors of Wellington's war in Spain with a game leg and a possible concussion. Sir K. is enraged that Jack, rather than lead a sensible idle life in London, intends to take over the crumbling family estate of Alabaster Royal in the village of Gallery-on-Tang. But Jack persists, and despite an attempt by someone to run him off the road, he not only moves in but rehires as caretaker a local rowdy (interviewed in the stocks). Eventually, Jack also hires on a gamey variety of theatrical servants, since no one in the village will come near the ``haunted'' mansion. Then there are the invaders who live in Alabaster Royal uninvited: an Italian duchess and her fiery-tongued, lovely granddaughter Consuela, who between rages explains that she's there to find the murderer of her father, the famous artist Preston Jones. Before long it appears to Jack that Consuela's suspicions might be well founded—especially after a strangling attempt, shots in the cemetery, and other distractions to peaceful country living. Meanwhile, two clever friends from the war enliven the sleuthing, and there'll be an exotic Indian lady, a cloisonnÇ vase, paintings with secret messages by Jones, and a dead gallery-owner. It all ends with a watery chase and a deadly surprise—and, naturally, an appropriate union. Very good Veryan. Jollity, junkets, and a juicy mystery.

Pub Date: Nov. 1, 1997

ISBN: 0-312-17121-8

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1997

Next book

ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

Awards & Accolades

Likes

  • Readers Vote
  • 565


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

Awards & Accolades

Likes

  • Readers Vote
  • 565


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

Close Quickview