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LANTERNS

A curtain call for Veryan's Sanguinet series (Sanguinet's Crown, 1985, etc.), which, like her Golden Chronicles and Jeweled Man sagas, are Georgian/Regency-period adventures with various dastardly groups threatening to subvert the English government. Here, a battle-scarred, oddly magnetic veteran of the Sanguinet conflicts arrives in the country to outwit enemies and win a lady. Marietta Washington and elder sister Fanny are pretty, sharp-witted, but impoverished, thanks to the gambling forays of their weak but goodhearted widower father, Sir Lionel. Also at home, in addition to younger brother Arthur, is Aunt Dova, an eerie but lovable bird who converses with lifelike dolls and, in disguise, tells fortunes, having been blessed with ``A Mystical Window Through Time.'' The Warrington house is part of the estate of Lanterns, owned by the ever-absent Lord Temple, and is rumored to be haunted and to contain a fabled, priceless jewel, ``The Sigh of Saladin.'' Suddenly arriving to camp out in Lanterns is the polite but evasive Diecon, a retired Major who becomes Arthur's idol. Marietta, puzzled, is drawn to Diecon—but is he really just a free-spirited ex-soldier? What explains his brilliance at the violin? Meanwhile, Marietta is courted by the handsome, supposedly wealthy Blake, whose relationship to Diecon, when revealed, makes for an unpleasant surprise. Before Diecon's real identity is revealed and Blake vanquished, Diecon and Marietta deal with the tragedy of Marietta's brother Eric, involved in treason; Diecon's friend Joselyn courts Fanny; and there is a return of the terrifying Sanguinet mob (Claude S., the leader, is now deceased) involving a kidnapping and a grand showdown in Lanterns. The villains are vanquished, the Sigh of Saladin makes an appearance, and true lovers are united. Reliable Veryan, mixing romance, humor, light mystery, and a satisfyingly noisy finish with just enough touches of period diction and mores to add the right Regency flavor.

Pub Date: Oct. 1, 1996

ISBN: 0-312-14640-X

Page Count: 352

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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