A skillfully constructed exploration of past events that many Italians would just as soon forget.
The sins of the fathers are visited on the children in this pensive multigenerational novel.
Argentinian writer Pron, who now lives in Madrid, travels east to Italy to locate his newest story. It opens in 1978, the era of the Red Brigades, but immediately looks back to the end of World War II, with a one-time fascist writer recalling the death of a comrade: “When we found Luca Borrello’s corpse, his eyes were open and he was looking up at the sky, as if a moment earlier Borrello too had been appreciating that it was a splendid day.” Borrello had been taking part in a conference of fascist writers even as Mussolini’s Nazi-backed Republic of Salò was collapsing—says another participant, “We wanted new ruins we could dedicate our poems to”—and he was hiding a secret: He'd been sheltering a member of the resistance from roving bands of SS troops. A generation later, the son of the rescued fighter seeks to comprehend the attraction of fascism by interviewing survivors of that literary generation, a story whose denouement reaches into the present. Pron reveals each detail deliberately, letting the mystery build, and he populates his pages with real historical figures and events ranging from the birth of futurism at yet another writers conference to the killing of the conservative politician Aldo Moro by the Red Brigades. His story is part suspense novel, one that explores several puzzles: Why would Borrello have saved a putative enemy, and who killed him in turn? What happened to the texts of a poet who enlisted in Mussolini’s army, and how did he die? It is also part historical investigation, reminiscent of the recent work of the Spanish writer Javier Cercas in its insistence on getting at hidden truths.
A skillfully constructed exploration of past events that many Italians would just as soon forget.Pub Date: May 21, 2020
ISBN: 978-0-451-49317-0
Page Count: 304
Publisher: Knopf
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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