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SAVING MISTER NIBBLES!

ELLIOT’S PARK, BOOK 1

Elliot, a squirrel who wears glasses and clothing and lives in a park with his friends, loves solving problems. When one of the park squirrels observes a human’s birthday party in which a stuffed squirrel is one of the gifts, the furry friends set out on a mission to rescue the squirrel, one Mister Nibbles. These squirrels cleverly distract humans with flashlights, dancing and rodeo-riding stunts, but, oddly, they are not smart enough to see that the unmoving Mister Nibbles is a stuffed animal who talks only when his ear is touched. Cartoonish spot drawings, reminiscent of Chip and Dale, dot many spreads, but do not raise this tale above the merely average. Choppy dialogue, short, stilted sentences and paragraphs that are rarely longer than one sentence seem designed for the new reader, but the huge number of characters and unbelievable plotline will be difficult for that reader to understand. For a much more satisfying fantasy of wildlife in a city park, read Johanna Hurwitz’s charming Pee Wee and Plush (2002). (Fiction. 5-7)

Pub Date: April 1, 2008

ISBN: 978-0-545-01930-9

Page Count: 74

Publisher: Orchard/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2008

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THE TOAD

From the Disgusting Critters series

A light dose of natural history, with occasional “EWWW!” for flavor

Having surveyed worms, spiders, flies, and head lice, Gravel continues her Disgusting Critters series with a quick hop through toad fact and fancy.

The facts are briefly presented in a hand-lettered–style typeface frequently interrupted by visually emphatic interjections (“TOXIN,” “PREY,” “EWWW!”). These are, as usual, paired to simply drawn cartoons with comments and punch lines in dialogue balloons. After casting glances at the common South American ancestor of frogs and toads, and at such exotic species as the Emei mustache toad (“Hey ladies!”), Gravel focuses on the common toad, Bufo bufo. Using feminine pronouns throughout, she describes diet and egg-laying, defense mechanisms, “warts,” development from tadpole to adult, and of course how toads shed and eat their skins. Noting that global warming and habitat destruction have rendered some species endangered or extinct, she closes with a plea and, harking back to those South American origins, an image of an outsized toad, arm in arm with a dark-skinned lad (in a track suit), waving goodbye: “Hasta la vista!”

A light dose of natural history, with occasional “EWWW!” for flavor . (Informational picture book. 5-7)

Pub Date: July 5, 2016

ISBN: 978-1-77049-667-5

Page Count: 32

Publisher: Tundra Books

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: May 1, 2016

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DOLLY PARTON'S BILLY THE KID COMES HOME FOR CHRISTMAS

A holiday outing that doesn’t quite satisfy.

In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.

Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.

A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)

Pub Date: Oct. 1, 2024

ISBN: 9780593755006

Page Count: 40

Publisher: Penguin Workshop

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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