A well-placed critique of both an inept presidency and an uncritical media.
The award-winning British journalist analyzes and criticizes Donald Trump’s handling of wars in the Middle East and Asia.
Independent Middle East correspondent Cockburn opens as he closes, with an account of the assassination of Iranian military strategist and supposed terrorist Qasem Soleimani, which was followed by a declaration that the Islamic State had been defeated and by the abandonment of America’s Kurdish allies in Syria. The author considers Soleimani less a threat than the administration believed, though his killing provided a convenient martyr around whom Iran could plant a flag. There’s a schizophrenia at play here; writes Cockburn, “the US has always been keen to hide the degree to which it has been Iran’s de facto partner, as well as its rival, ever since Saddam Hussein…invaded Kuwait in 1990.” Many of Trump’s moves seem calculated to improve Iran’s standing in the region: “It does not take very much to destabilize Iraq and the signs are that Trump does not care if he does.” IS seems to be flourishing, mounting attacks on peace demonstrators in Turkey, blowing up a Moscow-bound airliner, attacking a mosque in Egypt, and detonating a suicide bomb beside a Pakistani polling place—“not to mention,” adds Cockburn, “the eight killed in the UK in 2017 after a van drove into pedestrians on London Bridge.” Cockburn gives Trump some credit for attempting to project American power less with military strength than with “commercial and economic” blandishments. He further reserves some of his critical asperity for journalists who are too willing to accept party lines, though he allows that a reporter in the field lacks the clout of the suits back home: “Usually, it is…the home office or media herd instinct that decides the story of the day.” Even so, his own reporting on the ground, interwoven into his narrative, proves the power of a well-informed and serious pen.
A well-placed critique of both an inept presidency and an uncritical media.Pub Date: July 7, 2020
ISBN: 978-1-83976-040-2
Page Count: 320
Publisher: Verso
Review Posted Online: May 25, 2020
Kirkus Reviews Issue: June 15, 2020
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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