A moving saga of youth, age, and memory—by turns achingly poetic, knowingly philosophical, and bitterly funny.
A searing family drama and bittersweet evocation of nostalgia for lost youth.
Irish novelist McCabe’s new work is a leap beyond his previous accomplishments in fiction; a sprawling, epic novel in verse, the book builds on the tradition of lyric poetry as a method of storytelling, shot through with a postmodern Beat sensibility. The tale begins in the present as narrator Dan Fogarty arrives at the nursing home where his sister, the mercurial Una Fogarty, lives. From there, the narrative quickly moves back in time to the early 1970s to a communal house in London’s Kilburn district, where the siblings spent their early adulthood among an endless parade of flatmates, besotted poets, and various other hippies and hangers-on. At the center of this bohemian gyre is the Scottish poet Troy McClory, and the anything-but-rosy romance between Troy and Una becomes something of a leitmotif throughout the story. Swirling around this torrid relationship, the book details the siblings’ childhood during WWII and their coming-of-age against the backdrop of the Vietnam War, while the lingering specters of alcoholism, mental illness, and suicide are never far from the margins of the text. Despite these bleak themes, the novel is not without its share of humor—early ’70s pop-culture references abound, and the Joycean linguistic play is a pleasure to read. Structurally, the book is a marvel; McCabe’s inventive use of enjambment and stanza layout push the boundaries of what is possible in narrative storytelling. The vernacular, drunken verse format may be daunting at first, but after a few pages the narrative develops a hypnotic rhythm, as if one is sitting on a barstool listening to the narrator unspool his story over a pint (or three). At this point, the reader has merely to hang on and enjoy the ride.
A moving saga of youth, age, and memory—by turns achingly poetic, knowingly philosophical, and bitterly funny.Pub Date: May 3, 2022
ISBN: 978-1-7719-6473-9
Page Count: 600
Publisher: Biblioasis
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: today
Gleefully sadistic, gloriously gratifying revenge fiction.
A frustrated advice columnist takes matters into her own hands.
Before dropping out of MIT during the second semester of her sophomore year, Debbie Mullen had designs on becoming the next Bill Gates. Now, almost 30 years later, the stay-at-home wife and mother of two uses her considerable genius to keep the Mullens’ Hingham, Massachusetts, household functioning “like a well-oiled machine.” In her spare time, Debbie also gardens and shares “the fruits of [her] wisdom” with neighbors via the weekly advice column she writes for Hingham Household, a local “family-oriented” newspaper. Though Debbie is proud of her husband and teen daughters’ accomplishments, her own life sometimes feels a bit empty. As such, she’s both honored and excited when Home Gardening magazine selects her backyard to feature in their next issue. Then, at the last minute, the publication decides to go in a different direction and instead spotlights the roses of her arch rival. Later that day, the editor-in-chief of Hingham Household axes her column because she’d counseled a reader to get a divorce. That evening, Debbie learns that her hard-working husband’s miserly boss refused his promotion request, her brilliant older daughter’s sketchy boyfriend broke her heart, and her athletically gifted younger daughter’s chauvinistic coach cut her from the soccer team for being “chubby.” Enough is enough. Debbie has always given great advice—everybody says so. If certain individuals don’t know what’s best for themselves, maybe it’s her obligation to help them see the light. Increasingly unhinged entries from a “Dear Debbie” drafts folder pepper the briskly paced, meticulously crafted tale, which unfolds courtesy of a pinwheeling first-person narrative. Some of the plot’s myriad twists are more impressive than others, but plucky, puckish Debbie is a nontraditional antihero for the ages.
Gleefully sadistic, gloriously gratifying revenge fiction.Pub Date: Jan. 27, 2026
ISBN: 9781464249624
Page Count: 336
Publisher: Poisoned Pen
Review Posted Online: Dec. 10, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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