During the Napoleonic wars, Captain Jack Aubrey reaches middle age and is beached with domesticity: wife, daughters, mother-in-law, several servants, all packed into a little cottage like the Black Hole—and on half-pay. Britain's out to dominate France in the South Indian ocean, and so when Jack is offered command of the newly refitted frigate Boadicea, he jumps at the chance to escape. What's more, he'll be with some great old friends, including ship's surgeon Stephen Maturin—with whom he loves to fiddle two-part Mozart inventions over port in the captain's cabin. It's that kind of book, shot through with unobtrusive culture and period texture that flows like a serenade: even the nautical detail—telescopes and stores, regs and discipline—have a lived-in fray of poetic experience and warm handiness. Jack's job is to round the Cape of Good Hope and take the islands of La Reunion and Mauritius from the French. His biggest headache comes after being made temporary commodore and being given his first command of a whole squadron of ships: the captains under him are a nervewracking, neurotic and brutal lot, and all are vividly drawn with every crotchet intact and rolling eyeball secure. They have real nerve to them, a crazy inner skip to their hearts, and O'Brian captures it all in language deep with detail and the poetry of fact on blue-water currents under the trades.
Pub Date: July 21, 1978
ISBN: 0393037045
Page Count: 356
Publisher: Stein & Day
Review Posted Online: April 4, 2012
Kirkus Reviews Issue: July 1, 1978
At the outset, this might seem like minor Morrison (A Mercy, 2008, etc.), not only because its length is borderline novella,...
A deceptively rich and cumulatively powerful novel.
At the outset, this might seem like minor Morrison (A Mercy, 2008, etc.), not only because its length is borderline novella, but because the setup seems generic. A black soldier returns from the Korean War, where he faces a rocky re-entry, succumbing to alcoholism and suffering from what would subsequently be termed PTSD. Yet perhaps, as someone tells him, his major problem is the culture to which he returns: “An integrated army is integrated misery. You all go fight, come back, they treat you like dogs. Change that. They treat dogs better.” Ultimately, the latest from the Nobel Prize–winning novelist has something more subtle and shattering to offer than such social polemics. As the novel progresses, it becomes less specifically about the troubled soldier and as much about the sister he left behind in Georgia, who was married and deserted young, and who has fallen into the employ of a doctor whose mysterious experiments threaten her life. And, even more crucially, it’s about the relationship between the brother and his younger sister, which changes significantly after his return home, as both of them undergo significant transformations. “She was a shadow for most of my life, a presence marking its own absence, or maybe mine,” thinks the soldier. He discovers that “while his devotion shielded her, it did not strengthen her.” As his sister is becoming a woman who can stand on her own, her brother ultimately comes to terms with dark truths and deep pain that he had attempted to numb with alcohol. Before they achieve an epiphany that is mutually redemptive, even the earlier reference to “dogs” reveals itself as more than gratuitous.Pub Date: May 8, 2012
ISBN: 978-0-307-59416-7
Page Count: 160
Publisher: Knopf
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
This is historical adventure on a grand scale, right up there with the works of Conn Iggulden and Minette Walters.
Plenty of gore from days of yore fills the 12th entry in Cornwell’s The Last Kingdom series (War of the Wolf, 2018, etc.).
The pagan warlord Uhtred of Bebbanburg narrates his 10th-century adventures, during which he hacks people apart so that kingdoms might be stitched together. He is known to some as the Godless or the Wicked, a reputation he enjoys. Edward, King of Wessex, Mercia, and East Anglia is gravely ill, and Uhtred pledges an oath to likely heir Æthelstan to kill two rivals, Æthelhelm and “his rotten nephew,” Ælfweard, when the king dies. Uhtred’s wife, Eadith, wants him to break that oath, but he cannot live with the dishonor of being an oathbreaker. The tale seems to begin in the middle, as though the reader had just turned the last page in the 11th book—and yet it stands alone quite well. Uhtred travels the coast and the river Temes in the good ship Spearhafoc, powered by 40 rowers struggling against tides and currents. He and his men fight furious battles, and he lustily impales foes with his favorite sword, Serpent-Breath. “I don’t kill the helpless,” though, which is one of his few limits. So, early in the story, when a man calling himself “God’s chosen one” declares “We were sent to kill you,” readers may chuckle and say yeah, right. But Uhtred faces true challenges such as Waormund, “lord Æthelhelm’s beast.” Immense bloodletting aside, Cornwell paints vivid images of the filth in the Temes and in cities like Lundene. This is mainly manly fare, of course. Few women are active characters. The queen needs rescuing, and “when queens call for help, warriors go to war.” The action is believable if often gruesome and loathsome, and it never lets up for long.
This is historical adventure on a grand scale, right up there with the works of Conn Iggulden and Minette Walters.Pub Date: Nov. 26, 2019
ISBN: 978-0-06-256321-7
Page Count: 336
Publisher: HarperCollins
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
