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FAKE FRUIT FACTORY

A lark that can’t quite follow through on its entertaining setup.

A small town rallies to beat ever worsening odds against its survival in this madcap comic novel by Wensink (Broken Piano for President, 2012, etc.).

The flyspeck town of Dyson, Ohio, is in trouble: A $10 million budget shortfall has it scrambling for revenue ideas. But the locals have little faith in the leadership of its young mayor, Bo, to concoct a tourist-magnet scheme—Dyson has already tried that, trumpeting itself as a “Christmas City.” Oh, and, according to NASA, a falling satellite may blast the town to cinders in a matter of days. The opening sections of this novel are antic fun, and Wensink matches his pileup of absurd predicaments with a motley crew of characters: a Powerball winner trying to launch a casino in town, a suicidal ex-mayor, an on-the-skids radio host hoping the satellite disaster will be his big break, a police chief who was once a world-class opera singer, the owner of a plastic-fruit factory who thinks his product is key to Dyson’s recovery. Wensink knows this setup is so goofball that he doesn’t need to oversell the comedy, and his laugh lines are mostly blunt and deadpan; when Bo asks if the satellite can be shot down, he’s told, “Those missiles are reserved for killing people on the other side of the planet.” But once the nuttiness is established, Wensink struggles to make something of it. Is he satirizing Midwestern civic pride? Tourist traps? Hype-driven news cycles? And why is a mummy wandering around town anyhow? Wensink crams more characters into this clown car than necessary, laboring in the closing chapters to track each of his leads, and the forced, faux-cliffhanger section endings blunt what ought to have been more high-spirited fun.

A lark that can’t quite follow through on its entertaining setup.

Pub Date: Sept. 15, 2015

ISBN: 978-1-940430-56-0

Page Count: 320

Publisher: Curbside Splendor

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MARTIAN

Sharp, funny and thrilling, with just the right amount of geekery.

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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.

One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.  

Sharp, funny and thrilling, with just the right amount of geekery.

Pub Date: Feb. 11, 2014

ISBN: 978-0-8041-3902-1

Page Count: 368

Publisher: Crown

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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