illustrated by Patrick Yee ‧ RELEASE DATE: March 21, 2023
Age-appropriate affirmation that pretty much every part of reading is, in fact, “the best.”
What’s the best thing about reading? It’s hard to pick just one!
According to the back cover of this board book, real kids weighed in to help pick the things that make reading fun, from selecting a favorite story to reading with “funny voices” to snuggling up together as a family for a group read. Each page uses the same phrasing and structure: “The pictures are the best.” “Turning the page is the best.” This single-sentence-per-page model makes it a good fit for young readers looking for familiarity and predictability. There are no questions or invitations for readers to respond or opportunities for them to supply their own favorites, but caregivers will be able to fill in the gaps. Depicting animals such as a mouse, a bear, a lion, and a rabbit, the illustrations are bold with thick lines; bright blues, yellows, oranges, and pinks dominate. All of the characters are clearly appreciating their reading experience, whether it’s reading at a table, joining in with friends, or hanging out under the covers. Making reading an enjoyable experience has an impact on early literacy skills—this one will likely get little ones excited to become readers. (This book was reviewed digitally.)
Age-appropriate affirmation that pretty much every part of reading is, in fact, “the best.” (Board book. 0-2)Pub Date: March 21, 2023
ISBN: 9781486724192
Page Count: 14
Publisher: Flowerpot Press
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
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illustrated by Patrick Yee
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by Patrick Yee & illustrated by Patrick Yee
by Jessica Hische ; illustrated by Jessica Hische ‧ RELEASE DATE: April 11, 2023
Somewhat cerebral but brimming with visual charm—and likely to spark ideas in the artistically minded.
U said it!
The diminutive lowercase letters attending Ms. Bracket’s School for Little Letters, located in New York City, embark on a “Find Yourself Field Trip” and observe letters everywhere—on signs, on T-shirts, and more. When personable U, the story’s protagonist, talks to a letter in a book at the New York Public Library, she realizes how powerful and important letters and words are; a discussion with a letter on a sculpture spelling out the word hope inspires optimism. When it’s her turn to share her field-trip experiences, U recaps her conversations and the lessons learned, namely, be yourself, or, in U’s case, be U. Her decision about who to be when she grows up should please readers, though the heavy-handed lead-up to that conclusion may confound them. The story is cute, though a bit thin, with a lofty message that may go over kids’ heads. However, the humorous, inventive illustrations are appealing, with playful use of typography and fonts; many colored images are pleasingly set against monochromatic line drawings. The adorable, exuberant student letters and teacher have spindly limbs, dots for eyes, and small, curved mouths. Ms. Bracket, who resembles a squiggly, yellow piece of pasta, wears a “hair” adornment. Children may be spurred to take part in their own creative lettering activities—collages for example. (This book was reviewed digitally.)
Somewhat cerebral but brimming with visual charm—and likely to spark ideas in the artistically minded. (Picture book. 4-7)Pub Date: April 11, 2023
ISBN: 978-0-593-38502-9
Page Count: 48
Publisher: Penguin Workshop
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
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by Jessica Hische ; illustrated by Jessica Hische
BOOK REVIEW
by Jessica Hische ; illustrated by Jessica Hische
BOOK REVIEW
by Jessica Hische ; illustrated by Jessica Hische
by Lo Cole ; illustrated by Lo Cole ‧ RELEASE DATE: Sept. 1, 2020
Who knew that turning the pages could be the best part of a book?
The concept of this picture book is simple enough: 10 birds topple, slip, and dive their way off the titular twig until there is one left. The text itself echoes familiar singsong-y children’s rhymes like “Five Little Pumpkins.” While it mostly succeeds, there are some awkward spots: “5 on a twig, there used to be more… / SNAP! Don’t say a word, now there are four.” (On each page the number is both spelled out and represented as a numeral). The real scene stealer, however, is the book’s interplay between Cole’s illustrations and the physical pages themselves. In much the same way Eric Carle utilizes the pages in The Very Hungry Caterpillar to show the little critter eating its way through the week, Cole uses pages of increasing width to show how the twig grows shorter as each bird falls and marches off purposefully with the others, all headed toward verso with pieces of twig in their beaks. Stylistically, the book is captivating. The very colorful, egg-shaped birds appear on a single, thin black line on a stark white background. This backdrop stands in powerful contrast to the book’s final two pages, which are set against black negative space, a theme echoed in the book’s feather-print endpapers. The heavy, thick pages make it easy for little hands to participate. The text takes a back seat to the playful and compelling design, which is sure to delight readers.
Who knew that turning the pages could be the best part of a book? (Picture book. 2-4)Pub Date: Sept. 1, 2020
ISBN: 978-1-72821-593-8
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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