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IT TAKES TWO

Like Francesca’s favorite dulce de leche, an indulgence for readers willing to binge on empty calories.

Travel writer enjoys cuisine, tango and reawakened sensuality in an airbrushed Buenos Aires.

Manhattan foodie and socialite Francesca, a native Neapolitan, is not aging gracefully. Her adult children have left the nest, and her Italian recipes have displaced sexual desire in her marriage; for some time now the only nookie between Francesca and banker husband George has been gnocchi. She’s resigned herself to celibacy (she doesn’t take seriously George’s urging to have an affair) when salvation arrives in the form of a magazine assignment. She’s to do a spread on the tango culture in Buenos Aires with special emphasis on a recent phenomenon: wealthy Brits and Americans who buy Tuck and Tango vacation packages combining plastic surgery and post-operative dance rehab. In Argentina, Francesca enrolls in tango classes, and the dance, a form of stylized intercourse, inflames her long-dormant libido. A target for her lust quickly surfaces in the shape of silver-haired Roberto, 40, a plastic surgeon and entrepreneur who has profited from the T&T trend. The novel tempers the lovers’ steamy grapplings with cool-down sections featuring Francesca’s other Argentinean friends: Ellie, an American singleton on her biennial tango (sans tuck) break; Sarah, a keen observer of Buenos Aires society scandals; Luis, an Adonis who’s risen from the barrio to international tango fame; and Analia, a danseuse who falls hopelessly in love with gay Luis during one of his capricious lapses into heterosexuality. From boudoir to ballroom, memoirist Chen (Rosemary and Bitter Oranges, 2003) displays a flair for sensory detail. However, her fictional characters transcend neither their formulaic roles (frigid epicurean spouse, sexy surgeon, etc.) nor the novel’s wish-fulfilling premise of an older woman emerging from invisibility to object of desire via a simple change of hemisphere. Promising complications—Francesca’s rival for both husband and lover is a billionairess in her 60s—are downplayed as minor blowback.

Like Francesca’s favorite dulce de leche, an indulgence for readers willing to binge on empty calories.

Pub Date: Nov. 1, 2009

ISBN: 978-1-4165-7061-5

Page Count: 256

Publisher: Scribner

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2009

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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