An engrossing anthology of work, full of intimate details, from veterans of magazine journalism.
An anthology of landmark long-form articles written by female journalists.
Sims, herself a published journalist, has put together an anthology of magazine pieces by female writers. Some of the names will be well-known to readers—Joan Didion, Susan Orlean, Gloria Steinem. The essays contrast with each other in meaningful ways: murderers and survivors of murder attempts, famous and little-known figures in American history, high school students and a woman dying of Alzheimer’s. The caliber of work makes this collection a master class in the sort of long-form journalism that is published in magazines like the New Yorker and Vanity Fair, where many of these pieces were first seen. The diversity of subjects illustrates the breadth of work that is done by female journalists; it includes subjects and topics that historically might have been assigned to male journalists (such as “Soul Survivor,” Isabel Wilkerson’s profile of Black Power activist Kwame Ture, formerly known as Stokely Carmichael). There is a helpful table of contents with summaries of the stories, and short biographies of the writers precede each piece. Some essays were published recently, like “Yuja Wang and the Art of Performance,” Janet Malcolm’s profile of the young concert pianist from 2016, and others are older, like “Mrs. Kennedy at the Moment,” Gloria Steinem’s profile of Jacqueline Kennedy’s life after JFK’s assassination, which ran in 1964. (It would have been helpful if the book listed where and when each piece originally ran.) Standout stories aside from those already mentioned include “The Last Day,” Robin Marantz Henig’s story of a woman determined to end her own life after being diagnosed with Alzheimer’s, and “The Cheerleaders” by E. Jean Carroll, a heartbreaking account of a connected series of murders and suicides in Dryden, New York. Particularly wrenching is the description of a young survivor who yelled into the author’s tape recorder, “This is reality, people! This really happened, OK?” It brings the emotional work these writers do sharply into focus.
An engrossing anthology of work, full of intimate details, from veterans of magazine journalism.Pub Date: Nov. 1, 2017
ISBN: N/A
Page Count: 385
Publisher: The Sager Group
Review Posted Online: July 28, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Review Program: Kirkus Indie
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
