Rogers (Eating Bread and Honey, not reviewed, etc.) seeks to situate, in plain words, the genesis of her poetry, an experience she handles with aplomb even while it lays her open. In this investigation into what it means to write, one of Milkweed’s new Credo series’s statements of belief, Rogers speaks of origins and sensations rather than process, which, after the form has been decided upon, is a matter of feeling her way forward with language. Her first poem grew out of a longing for and identification with autumn in the hills and woods of the Ozarks; the very act of writing about it brought her comfort and joy. It was also a “power of my own creation to enter and alter my soul. The language had created me,” a generative reciprocity that swung into perpetual motion for her. Much of Rogers’s poetry has fixed on natural history and notions of place, giving praise to creature and landscape, deciphering how she will act honorably with them without sermonizing or sanitizing: “that stain / of stinkhorn down your front, / that leaking roil of bracket / fungi down your back.” The shape of a tree can possess a place for her and chart the architecture of her words; a way of seeing is hatched, where the tree “responds to and encourages and itself takes sustenance from such human bonds.” And these explorations into parts unknown necessarily stop at eerie stations: “After her traditional repertoire she always plays / One piece on her violin in a register so high / The music can’t be heard.” Rogers can stumble, too, with pointless comments or not using her skillful economy in her prose, smothering the three lovely words “hurting summer heat” by following with “a heavy, moist, fiery, unrelieved encumbrance.” These are rare lapses. When a poet spills her secrets, that’s a special gift.
Pub Date: June 1, 1999
ISBN: 1-57131-228-5
Page Count: 145
Publisher: Milkweed
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1999
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
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