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DANNY CONSTANTINO'S FIRST DATE

Every first date should be this charming.

A seventh grader invites a celebrity to the school dance.

Danny Constantino was best friends with Natalie Flores Griffin throughout primary school. When Natalie went on to become a famous child star in Hollywood, the pair emailed back and forth for a bit, but the emails eventually stopped. Three years later, Danny’s dealing with the loss of his childhood dog and a mom who’s running for mayor. Luckily for Danny, the big dance is coming up and Natalie has accepted his emailed invitation to be his date…and everyone is losing it. Danny’s mom wants to use her in the mayoral campaign. Danny’s principal wants to get Natalie to take part in the pep rally. Danny’s friends want her to go trick-or-treating with them. Danny juggles everyone’s desires as best he can while reconnecting with an old friend who hoped for nothing more than a few days out of the spotlight. Danny and Natalie’s blossoming romance is well drawn, and Acampora steers clear of treacle territory with deft deployment of subplots. The book’s structure is a bit uneven, and some of the supporting players are thinly developed, but Danny’s relationships with his grandmother, his mother, and Natalie reinforce one another, painting a strong portrait of a young boy coming in to his own with the help of three strong female characters. Danny and Natalie seem to present white, but Danny has several friends of color.

Every first date should be this charming. (Fiction. 11-13)

Pub Date: July 14, 2020

ISBN: 978-1-9848-1661-0

Page Count: 224

Publisher: Dial Books

Review Posted Online: March 24, 2020

Kirkus Reviews Issue: April 15, 2020

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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THE LAST EVER AFTER

From the School for Good and Evil series , Vol. 3

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...

Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.

Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)

Pub Date: July 21, 2015

ISBN: 978-0-06-210495-3

Page Count: 672

Publisher: Harper/HarperCollins

Review Posted Online: June 25, 2015

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