Another winning collaboration from two luminaries.

THE DEATH OF THE HAT

A BRIEF HISTORY OF POETRY IN 50 OBJECTS

Janeczko and Raschka reunite for a fourth anthology, featuring poems spanning two millennia.

The unifying conceit—all the poems focus on objects—has a grounding effect, helping readers perceive linkages among the poets across centuries. As Janeczko observes in a pithy introduction, poems are grouped within nine sections named for major periods of Western cultural history, such as the Renaissance and the Enlightenment. Nonetheless, he “could not ignore the strong poems…found from Eastern poets.” The 13th-century Persian poet Rumi observes a candle, “made to become entirely flame.” Seventeenth-century Japanese master Basho muses, “Midnight frost— / I’d borrow / the scarecrow’s shirt.” Twelve women are represented, including Phillis Wheatley, Christina Rossetti and Sylvia Plath. Some poems are famous: William Carlos Williams’ “The Red Wheelbarrow” is here, as well as Robert Burns’ “A Red, Red Rose.” Less familiar choices are poignant, even cheeky: John Updike’s “Lament, for Cocoa” rues, “The scum has come. / My cocoa’s cold.” Raschka’s playful watercolors on crisp, white backgrounds distill both images and emotions from the poems. In “The Cat and the Moon,” he visually parallels William Butler Yeats’ lines, the cat’s eyes echoing the crescent moon’s shape. The white goose of Cui Tu’s “A Solitary Wildgoose” appears throughout, flying alone until uniting with a flock on the back endpapers.

Another winning collaboration from two luminaries. (acknowledgements) (Picture book/poetry. 8-12)

Pub Date: March 10, 2015

ISBN: 978-0-7636-6963-8

Page Count: 80

Publisher: Candlewick

Review Posted Online: Dec. 10, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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IF YOU LIVED DURING THE PLIMOTH THANKSGIVING

A measured corrective to pervasive myths about what is often referred to as the “first Thanksgiving.”

Contextualizing them within a Native perspective, Newell (Passamaquoddy) touches on the all-too-familiar elements of the U.S. holiday of Thanksgiving and its origins and the history of English colonization in the territory now known as New England. In addition to the voyage and landfall of the Mayflower, readers learn about the Doctrine of Discovery that arrogated the lands of non-Christian peoples to European settlers; earlier encounters between the Indigenous peoples of the region and Europeans; and the Great Dying of 1616-1619, which emptied the village of Patuxet by 1620. Short, two- to six-page chapters alternate between the story of the English settlers and exploring the complex political makeup of the region and the culture, agriculture, and technology of the Wampanoag—all before covering the evolution of the holiday. Refreshingly, the lens Newell offers is a Native one, describing how the Wampanoag and other Native peoples received the English rather than the other way around. Key words ranging from estuary to discover are printed in boldface in the narrative and defined in a closing glossary. Nelson (a member of the Leech Lake Band of Minnesota Chippewa) contributes soft line-and-color illustrations of the proceedings. (This book was reviewed digitally.)

Essential. (Nonfiction. 8-12)

Pub Date: Nov. 2, 2021

ISBN: 978-1-338-72637-4

Page Count: 96

Publisher: Scholastic Nonfiction

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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Like oil itself, this is a book that needs to be handled with special care.

OIL

In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.

The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?

Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)

Pub Date: March 31, 2020

ISBN: 978-1-5344-3077-8

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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