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THERE'S A BISON BOUNCING ON THE BED!

Bland fare for bed jumpers, but the point about shared responsibility is a good one to make—blunted though it is by the...

If the bed won’t break with a bison bouncing on it, surely a few smaller animals won’t do any harm…will they?

“The bed starts to BEND. / The bed starts to SHAKE. / I really hope the bed won’t BREAK!” And it doesn’t—not even when first Aardvark and then Chipmunk climb aboard. But when Beetle bounds in, bedroom disaster ensues. This is followed by a round of finger-pointing that ends when a previously hidden grizzly bear rises from under the coverlet to blame all four and send them scurrying to make repairs. Though Bright gives the bearish climax a big buildup, Chatterton opts to present the grizzly in the cartoon illustrations in thoroughly unscary pajamas, bearing a tiny teddy bear and just a mildly irritated expression. And, when the bed’s fixed, the bear’s small frown suddenly changes to a grin as he invites one and all to join him in a fresh round of bouncy “FUN!” Bright genders the grizzly as male, but aside from stereotypical pink bow and eyelashes on Beetle, there are no other gender markers in the book.

Bland fare for bed jumpers, but the point about shared responsibility is a good one to make—blunted though it is by the ending. (Picture book. 4-6)

Pub Date: March 1, 2016

ISBN: 978-1-68010-006-8

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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LUCY'S LIGHT

Too many bugs, figuratively.

Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.

The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.

Too many bugs, figuratively. (Picture book. 4-6)

Pub Date: Nov. 10, 2015

ISBN: 978-84-16147-00-7

Page Count: 32

Publisher: Cuento de Luz

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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