A welcome addition to any philhellenic library by a reliable, readable interpreter of the ancient past.
Eminent classicist Cartledge examines the history, mythical and proven, of an ancient Greek city that is often overlooked in standard texts.
Located in the province of Boeotia, Thebes was “almost continuously inhabited for five millennia, at one point the most powerful city in all ancient Greece.” It was unusual in having been founded, in legend, by a non-Greek, a refugee from what is now Palestine named Cadmus, who sowed a slain dragon’s teeth on the city site and harvested a mighty army. Cadmus, the legend continues, married Harmonia, the child of an adulterous affair between the god of war and the goddess of love, to unhappy result: “the near-total (metaphorical, moral) ruin of Thebes and frequent disasters for their mortal descendants.” In real life, Thebes was too close to Athens for comfort, and Athens often waged war against Thebes as a result. It was also relatively close to Sparta, Corinth, and other sometime rivals and sometime allies, and it was in the path of the invading Persians during the reign of Xerxes, when Theban soldiers died nobly alongside Spartans and Athenians at Thermopylae. In the pivotal fifth century B.C.E., writes Cartledge, “mainland Greek history can be seen as playing out within the frame of the fateful Thebes–Athens–Sparta triangle.” The Thebes of history too often suffered loss. Against this, writes the author, stands the Thebes of myth, with an equally unhappy history: It was the home of Oedipus and Electra, yielding what is widely considered the best of all the Greek tragedies, Sophocles’ cycle of Theban plays. Thebes was also the home of the musician Pronomus, who “was the first to be able to play the three harmonies or modes known ethnically as the Dorian, the Phrygian, and the Lydian on one and the same, enhanced (double) aulos.” The cultural contributions were many, but all the same Thebes was overshadowed, and Cartledge’s well-paced, illuminating survey shows why that should not be the case.
A welcome addition to any philhellenic library by a reliable, readable interpreter of the ancient past.Pub Date: Sept. 22, 2020
ISBN: 978-1-4683-1606-3
Page Count: 320
Publisher: Abrams
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
An absorbing history illuminates a bleak landscape.
Across the vast expanse of Siberia, pianos brought culture and consolation.
British journalist Roberts makes an engaging book debut with a chronicle of her travels through Siberia searching for pianos. Guided by a history of 19th-century Russian piano makers, the author was aware of the proliferation and distribution of pianos, some manufactured by Western companies, far from Russia’s major cities. By the end of the 19th century, one workshop in St. Petersburg alone had built more than 11,000 pianos, many of which were hauled by sledge to outposts in Siberia. “East of the Urals,” Roberts writes, “music teachers were paid two to three times the amount they earned in Western Russia. In these new towns of the expanding Empire, the piano played an even more important social role than it did in a Moscow drawing room.” In the town of Tomsk, for example, a place Chekhov found boring, a chapter of the Imperial Russian Music Society incited a flourishing musical culture. Its grand piano was chosen by the brother of famed pianist Anton Rubinstein. Besides forming the center of cultural life for residents who settled in Siberia hoping for fortune, freedom, or a new beginning, pianos were crucial to the region’s many penal colonies, where classical music elicited “a keen sense of European identity and pride.” In Kolyma, near the Sea of Okhotsk, Roberts recalls the “political dissidents, hardened criminals, recidivist killers, invalids half dead with dystrophy, poets, pianists, and starving women” brought by Stalin’s gulag ships. Even in that harsh colony, there was a grand piano, housed in a building constructed by prisoners. Roberts describes vividly the “bald, scarred, austere” landscapes that make up much of Siberia as well as the often eccentric individuals—many of them piano tuners—who assisted in her quest. Aiming “to celebrate all that is magnificent about Siberia,” Roberts realized that often the pianos she found were “tied up with a terrifying past.”
An absorbing history illuminates a bleak landscape. (b/w illustrations; maps)Pub Date: Aug. 4, 2020
ISBN: 978-0-8021-4928-2
Page Count: 448
Publisher: Grove
Review Posted Online: March 2, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
Unsurprising but perfectly competent and seamlessly of a piece with her Living History (2003). And will Hillary run? The...
Former Secretary of State Clinton tells—well, if not all, at least what she and her “book team” think we ought to know.
If this memoir of diplomatic service lacks the preening self-regard of Henry Kissinger’s and the technocratic certainty of Dean Acheson’s, it has all the requisite evenhandedness: Readers have the sense that there’s not a sentence in it that hasn’t been vetted, measured and adjusted for maximal blandness. The news that has thus far made the rounds has concerned the author’s revelation that the Clintons were cash-strapped on leaving the White House, probably since there’s not enough hanging rope about Benghazi for anyone to get worked up about. (On that current hot-button topic, the index says, mildly, “See Libya.”) The requisite encomia are there, of course: “Losing these fearless public servants in the line of duty was a crushing blow.” So are the crises and Clinton’s careful qualifying: Her memories of the Benghazi affair, she writes, are a blend of her own experience and information gathered in the course of the investigations that followed, “especially the work of the independent review board charged with determining the facts and pulling no punches.” When controversy appears, it is similarly cushioned: Tinhorn dictators are valuable allies, and everyone along the way is described with the usual honorifics and flattering descriptions: “Benazir [Bhutto] wore a shalwar kameez, the national dress of Pakistan, a long, flowing tunic over loose pants that was both practical and attractive, and she covered her hair with lovely scarves.” In short, this is a standard-issue political memoir, with its nods to “adorable students,” “important partners,” the “rich history and culture” of every nation on the planet, and the difficulty of eating and exercising sensibly while logging thousands of hours in flight and in conference rooms.
Unsurprising but perfectly competent and seamlessly of a piece with her Living History (2003). And will Hillary run? The guiding metaphor of the book is the relay race, and there’s a sense that if the torch is handed to her, well….Pub Date: June 10, 2014
ISBN: 978-1-4767-5144-3
Page Count: 656
Publisher: Simon & Schuster
Review Posted Online: June 13, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
