by Paul Collins ‧ RELEASE DATE: July 1, 2009
Exemplary scholar-adventurer writing.
The intricate, improbable story of how the first collection of Shakespeare’s plays (1623) became the holiest—i.e., most expensive—of grails in Biblioland.
Collins (English/Portland State Univ.) comes well equipped for his peripatetic task. Having written about bibliomania (Sixpence House: Lost in a Town of Books, 2003) and an iconic historical figure (The Trouble with Tom: The Strange Afterlife and Times of Thomas Paine, 2005), the author also possesses a lively curiosity and, to the enlightenment of readers of this galloping, globetrotting romp, an impressive travel allowance. As the Folio publishers divided the Bard’s plays into five acts, so too does Collins arrange his tale. Act One opens in a contemporary London auction room—a Folio sold for £2.5 million—but Collins soon returns to the 1620s to watch the surviving Globe colleagues of the recently deceased Shakespeare arrange with printer William Jaggard to print the 36 plays they have assembled—18 of which, Collins reminds us, didn’t exist anywhere else. No Folio would mean no Twelfth Night, Antony and Cleopatra, The Tempest or other gems. Collins then follows these First Folios through the centuries, pausing occasionally to educate us about the manufacture of paper, the difference between a folio and a quarto and the reputation of playwrights in general, Shakespeare in particular. Only obliquely does Collins address the “authorship question,” noting slyly that a Japanese scholar was the first to notice that all the flowers mentioned in the plays grow in the vicinity of Stratford-upon-Avon. The author also looks at the editions of the Bard’s plays that appeared after 1623—there were subsequent folios and editions by Alexander Pope and Samuel Johnson—and sheds some light on Bard-saving heroes unknown to lay readers—notably Lewis Theobald, who was so alarmed at the errors in Pope’s edition that he prepared his own. To see the best copies of the Folios, Collins interviewed experts and traveled from the vault of the Folger Shakespeare Library to a Japanese academic library.
Exemplary scholar-adventurer writing.Pub Date: July 1, 2009
ISBN: 978-1-59691-195-6
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2009
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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