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THE FRIENDS OF EDDY RELISH

An array of zestful characters rescues this adventure’s somewhat muddled plot.

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A former Hollywood star gets caught up in drugs, terrorists, and international espionage in this globe-trotting novel.

It’s been years since Londoner Eddy Relish’s Hollywood career fizzled. Nowadays, he’s borrowing money from “Reverend” Bill Blake, a vicious man who repeatedly quotes the Bible and has an affinity for nail guns. When Eddy can’t repay a loan, Bill forces him to become a drug mule. But Chinese intelligence operative Cynthia Tzin comes to Eddy’s aid. She knows him from his days in the United States, where she’s nightclub-owning Madam Sin. Cynthia believes Eddy can be an asset in gathering intel for China. But Eddy’s earlier chance encounter with Islamic terrorist Abdul Madbul also puts him in the unique position of being the only person who can identify the evasive extremist. Cynthia will help Eddy reestablish himself in Hollywood, where he’ll essentially be bait to catch Madbul. Indeed, the terrorist knows Eddy can ID him and is therefore on the hunt. So, too, is Bill, as Eddy failed to transport the reverend’s heroin from Hong Kong. Even Eddy’s comeback is in danger: Producer Cy Sly, who played a part in crushing the actor’s career the first time, plans to do it again. Dalzell (Everything Hurts, 2014, etc.) and debut author Radley swiftly kick-start their novel, as Bill is threatening Eddy with his nail gun in little time. The plot eventually spins threads that feature numerous other characters from around the world. Bill, in particular, finds friends and foes among the Russians, the Japanese, and more. In fact, many of the supporting characters prove much more intriguing than the protagonist, including Cynthia, whose authority and prowess are never in question, and Eddy’s girlfriend, Sharon Constable, who runs for council in the couple’s London borough. Though the authors’ tight prose and abundant subplots keep the narrative moving at a steady clip, the story is occasionally perplexing. A surprise blood relation between two characters, for example, has no real bearing on the plot. And why Madbul still wants to eliminate Eddy after the terrorist’s sketch goes public remains unclear.

An array of zestful characters rescues this adventure’s somewhat muddled plot.

Pub Date: April 15, 2019

ISBN: 978-1-72830-793-0

Page Count: 284

Publisher: AuthorHouse

Review Posted Online: July 15, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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