by Paul Fuller ‧ RELEASE DATE: Feb. 23, 2016
Despite its flaws, this work delivers a well-deserved tribute to a group that’s been abused and overlooked; the volume...
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An academic traces the contributions of African-Americans to the United States and the world.
Fuller (Black Methodists in America, 2012, etc.), a retired professor of sociology and African- American studies, tries to set the record straight about a group “dismissed as insignificant to a nation” that it “helped to create.” After endorsing theories about pre-Columbian African forays into America, he spells out blacks’ achievements chronologically and by category. These include Africans who accompanied early Spanish and Portuguese explorers as well as a colorful cast of black cowboys and others who helped open up the American West. His list of blacks in the military ranges from Crispus Attucks, the first patriot killed in the American Revolution, to Gen. Colin Powell. Contributions to the economy include not only the free labor extracted for centuries from slaves, but also the bright ideas of African-Americans who Fuller claims invented everything from pencil sharpeners to refrigerators. Outsized contributions by American blacks in the arts and sports include the obscure, such as the writer William Wells Brown and black jockeys in the 19th century, as well as the famous, such as Jackie Robinson and Alice Walker in the 20th. Fuller also catalogs blacks’ contributions to cooking, language, and other aspects of modern American culture. He chronicles efforts in education and addresses a long history of advancing civil rights, which, Fuller avers, benefited other groups, such as women, more than blacks. The author has written an important but uneven book. In tone and content, it seesaws from the magisterial to the dubious. Though he provides an encyclopedic account of blacks’ contributions, including many relatively unknown persons and events, Fuller undercuts his narrative with a labored writing style, weak sources, and pedantic asides, such as noting that New Orleans is “a southern U.S. city” and instructing readers about what’s “rather interesting.” Liberal use of passive verbs (“attention will be given,” for example) makes for flabby prose. Relying too often on debatable websites, including Wikipedia, Yahoo Answers, and eHow, Fuller needs better sources to back his more contentious claims, especially in his chapters on inventions and pre-Columbian exploration of America. Given the huge cast of characters, events, and places, an index would be welcome.
Despite its flaws, this work delivers a well-deserved tribute to a group that’s been abused and overlooked; the volume should be useful for scholars and others seeking particular people, places, and themes for their research.Pub Date: Feb. 23, 2016
ISBN: 978-1-5186-8842-3
Page Count: 460
Publisher: CreateSpace
Review Posted Online: Sept. 9, 2016
Review Program: Kirkus Indie
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by Paul Fuller
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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