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SYNCHRONICITY

THE EPIC QUEST TO UNDERSTAND THE QUANTUM NATURE OF CAUSE AND EFFECT

An intensely detailed investigation of modern scientific fields that defy common sense.

Another attempt to explain quantum mechanics that sometimes succeeds.

A bedrock of science is that things happen for a reason. The window breaks after the rock strikes it, not before. Also, it doesn’t break because the stars are misaligned. This is the concept of cause and effect, writes physics professor Halpern, who begins with a history of science beginning with the ancient Greeks, who didn’t trust observation because human senses were imperfect. True knowledge, they taught, required deep thought. Aristotle explained a few things correctly but got many wrong. Once thinkers took observation seriously—Galileo was probably the first scientist—centuries of straightforward scientific explanations followed until the 20th century, when Einstein’s relativity muddled matter, energy, time, and space and then quantum mechanics proved that reasonable things such as locating a particle precisely are impossible—but the impossible happens routinely. Light changes from a wave to a particle and back again. Devoting two-thirds of his text to history, Halpern delves so deeply into quantum mechanics that readers unfamiliar with college physics will struggle. At this point, he introduces Carl Jung, the brilliant Swiss psychiatrist who both learned from and influenced physicist Wolfgang Pauli during 25 years of their relationship, beginning in the 1930s. Jung believed that humans share a collective unconscious revealed through religion, mythology, and art, with dreams playing a central role. That dreams rarely make sense stimulated Jung, who emphasized synchronicity, the idea that coincidences are connected provided one looks deeply enough. Thus, it was no accident that Mark Twain was born and died in a year of Halley’s comet. The experience left Pauli fascinated by mysticism, numerology, and psychic phenomena without contributing much to his scientific acumen. Since synchronicity is unprovable, few scientists take it seriously. Halpern is no exception, but he presents it as a painful example of the difficulty of understanding phenomena that seem to lack cause and effect.

An intensely detailed investigation of modern scientific fields that defy common sense.

Pub Date: Aug. 18, 2020

ISBN: 978-1-5416-7363-2

Page Count: 320

Publisher: Basic Books

Review Posted Online: April 25, 2020

Kirkus Reviews Issue: June 1, 2020

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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ON JUNETEENTH

A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.

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The Harvard historian and Texas native demonstrates what the holiday means to her and to the rest of the nation.

Initially celebrated primarily by Black Texans, Juneteenth refers to June 19, 1865, when a Union general arrived in Galveston to proclaim the end of slavery with the defeat of the Confederacy. If only history were that simple. In her latest, Gordon-Reed, winner of the Pulitzer Prize, National Book Award, Anisfield-Wolf Book Award, and numerous other honors, describes how Whites raged and committed violence against celebratory Blacks as racism in Texas and across the country continued to spread through segregation, Jim Crow laws, and separate-but-equal rationalizations. As Gordon-Reed amply shows in this smooth combination of memoir, essay, and history, such racism is by no means a thing of the past, even as Juneteenth has come to be celebrated by all of Texas and throughout the U.S. The Galveston announcement, notes the author, came well after the Emancipation Proclamation but before the ratification of the 13th Amendment. Though Gordon-Reed writes fondly of her native state, especially the strong familial ties and sense of community, she acknowledges her challenges as a woman of color in a state where “the image of Texas has a gender and a race: “Texas is a White man.” The author astutely explores “what that means for everyone who lives in Texas and is not a White man.” With all of its diversity and geographic expanse, Texas also has a singular history—as part of Mexico, as its own republic from 1836 to 1846, and as a place that “has connections to people of African descent that go back centuries.” All of this provides context for the uniqueness of this historical moment, which Gordon-Reed explores with her characteristic rigor and insight.

A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.

Pub Date: May 4, 2021

ISBN: 978-1-63149-883-1

Page Count: 128

Publisher: Liveright/Norton

Review Posted Online: Feb. 23, 2021

Kirkus Reviews Issue: March 15, 2021

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