A striking tale of violence and redemption with an abundance of mysterious dream/nightmare imagery.
In a post-apocalyptic world swept by a plague, two young women search for their missing mentor, lost in an infected landscape.
Fantasy/SF author Jessup conjures up a fever-dream, chaotic, dystopian environment that might be future Earth, distant-past Earth, or maybe another colonized planet in this novel; it is difficult to judge. Humans seem to have forgotten most of their history, terrorized and diminished as they are by the “curse,” the tag given to a grotesque plague of unknown nature that afflicts not only flesh, but also inorganic objects (entire buildings, in fact) and, possibly, reality itself. Animals and people tend to transform painfully into monstrous, destructive, multiheaded chimeras (many others seem to become zombies—though that genre buzzword is never used). Defending against the horror is a sisterhood of “seers,” female orphans who dwell in a labyrinth of bones and train in combat archery, dancing rites, and curious healing arts, communing with the world’s “ghosts.” The seers can forestall, if not completely cure, the curse, a principal method being the forcible insertion of a precious “ghost heart” (and, sometimes, a few butterflies) into a victim’s tortured body. Mazi and Talia, two young temple acolytes, have left the labyrinth in search of Naomi, a missing older seer whom they regard as a mother figure. The quest grows more desperate when Mazi, wounded, realizes she is infected by the dreaded curse. Jessup’s prose sometimes recalls Harlan Ellison at his most extravagant, invoking a lurid, elastic environment steeped in ritual yet with delirious magic as well as weird science. A space-based artificial intelligence called the Dzall figures into the equation, and some characters and entities may be robots, androids, or nanotechnology creations. Expect no firm answers or solid exposition by the time the narrative arc (a rather simple one, when all is said and done) reaches its cathartic conclusion. Just go with the vivid flow of descriptions of entropic desolation and phantasmagoric filigree: “The hollow stones were a mess of geometry on the side of the hill. Trees seemed to back away from them, and the air smelled like pine and earth and fungal things spreading out underground.”
A striking tale of violence and redemption with an abundance of mysterious dream/nightmare imagery.Pub Date: April 1, 2021
ISBN: 978-1-952283-09-3
Page Count: 268
Publisher: Vernacular Books
Review Posted Online: March 5, 2021
Kirkus Reviews Issue: May 1, 2021
Review Program: Kirkus Indie
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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