An extraordinary hero stars in a legal tale as believable as it is riveting.
In this 15th installment of a thriller series, a Miami lawyer takes a stance against football after a high school player’s alarming injury.
As a former Miami Dolphins linebacker, attorney Jake Lassiter knows how dangerous football can be. All that contact on the field left him with chronic traumatic encephalopathy, and he suffers the constant pounding of migraines and tinnitus. He also has problems with his memory and can’t recall coaxing his friend and old Dolphins teammate Langston “Tank” Pittman to forge his own wife’s name on a consent form—allowing the couple’s teen son, Rodrigo, to play football. So when Rod is seriously hurt during a game’s kickoff and may never walk again, guilt practically crushes Lassiter, the boy’s de facto uncle. The lawyer vows to “abolish” football, though he’s really after a temporary ban until the Florida High School Athletic Association declares the sport safe. He has barely filed suit (against the school’s coach and the FHSAA) when he gets a taste of the hostile defiance he was anticipating. The Consortium, a supposed organization of high-profile companies, aims to protect high school football, as a legal action against it also threatens the billion-dollar NCAA and NFL. But Lassiter has a solid case for “coaching malpractice,” from the coach keeping an unmistakably disoriented Rod in the game to the man running illegal pit drills during team practice. Unfortunately, the defense attorneys play dirty, as Lassiter suspects they’ve got people following, tracking, and wiretapping him. It’s sure to be a white-knuckled fight if Lassiter wants a win in the courtroom.
In this series outing, Levine’s recurring protagonist proves sublimely complex. He’s a whip-smart lawyer whose painful bouts with merciless CTE earn him sympathy. But he’s not always a purely ethical professional; as Rod’s mom rightly points out, Lassiter pursues this case more for himself than for the injured teen and his family. The rest of the cast is also strong—loyal pal Tank is the opposite of his wife, who blames Lassiter for their son’s tragedy, while the FHSAA’s attorney Sandra Day is a formidable and possibly unscrupulous opponent. The author fuels this legal thriller with an impressive pace, showing that a deceptively simple “wack-a-doodle lawsuit” can churn out endless surprises and bumps in the road. Lassiter, for example, digs up evidence from a TV news program—with the help of a skilled hacker—and from a crucial item that someone’s been keeping. The attorney is moreover up against the defense’s questionable evidence; an offer that looks an awful lot like a bribe; and strangers creeping around his property. Meanwhile, understated humor brightens the novel courtesy of Lassiter’s charming quips (even in court). But random citizens’ periodic tweets provide the biggest laughs; they’re rife with assumptions, sarcasm, and amusing spellings (“I heard Lassiter is dying. Well, I say good writtens”). The ending courtroom battle sears with intense and realistic turns, as at least one of Lassiter’s smoking guns unexpectedly fizzles. It all builds to an unforgettable closing scene.
An extraordinary hero stars in a legal tale as believable as it is riveting.Pub Date: Jan. 10, 2023
ISBN: 978-1-73450-569-6
Page Count: 417
Publisher: Herald Square Publishing
Review Posted Online: Oct. 13, 2022
Review Program: Kirkus Indie
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
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