THE ROAD TO HELL

THE TRUE STORY OF GEORGE JACKSON, STEPHEN BINGHAM, AND THE SAN QUENTIN MASSACRE

A fast-paced account, bloody and suspenseful, of a defining event in the history of the New Left. On August 21, 1971, the radical writer (Soledad Brother) and Black Panther leader George Jackson tried to shoot his way out of San Quentin Prison, where he had been jailed on a murder charge. Jackson died; so did three guards and two other inmates. The breakout attempt had been carefully planned, writes Bay Area journalist Liberatore, but no one could foresee its reverberations. One man whose life was forever altered was Jackson's white attorney Stephen Bingham, ``blue-blooded, reared in wealth and privilege,'' who had come to embrace Jackson's goals of a unified political struggle. (``When the races start fighting,'' Jackson had written, ``all you have is one maniac group against the other. That's just what the pigs want.'') After Jackson's death Bingham went underground, a wanted man for his supposed role in smuggling a pistol for Jackson into the prison; he resurfaced a dozen years later and defended himself in a dramatic, emotional trial whose recounting occupies the last part of the book. Liberatore traces the evolution of Jackson and Bingham's political thought through the tumultuous years of Vietnam and the civil-rights struggle, and his portrait of the ever-changing New Left will fascinate those too young to remember times full of what a San Quentin official aptly called ``bullshit talk by dilettante revolutionaries.'' While clearly admiring Jackson and Bingham for the strength of their convictions, Liberatore is no hero-worshiper; neither does he entertain radical-chic nostalgia for an era whose wounds are still fresh. Published to coincide with the 25th anniversary of the attempted breakout, Liberatore's chronicle adds considerably to our understanding of that time of trouble.

Pub Date: Aug. 22, 1996

ISBN: 0-87113-647-3

Page Count: 288

Publisher: Atlantic Monthly

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 1996

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IN COLD BLOOD

"There's got to be something wrong with somebody who'd do a thing like that." This is Perry Edward Smith, talking about himself. "Deal me out, baby...I'm a normal." This is Richard Eugene Hickock, talking about himself. They're as sick a pair as Leopold and Loeb and together they killed a mother, a father, a pretty 17-year-old and her brother, none of whom they'd seen before, in cold blood. A couple of days before they had bought a 100 foot rope to garrote them—enough for ten people if necessary. This small pogrom took place in Holcomb, Kansas, a lonesome town on a flat, limitless landscape: a depot, a store, a cafe, two filling stations, 270 inhabitants. The natives refer to it as "out there." It occurred in 1959 and Capote has spent five years, almost all of the time which has since elapsed, in following up this crime which made no sense, had no motive, left few clues—just a footprint and a remembered conversation. Capote's alternating dossier Shifts from the victims, the Clutter family, to the boy who had loved Nancy Clutter, and her best friend, to the neighbors, and to the recently paroled perpetrators: Perry, with a stunted child's legs and a changeling's face, and Dick, who had one squinting eye but a "smile that works." They had been cellmates at the Kansas State Penitentiary where another prisoner had told them about the Clutters—he'd hired out once on Mr. Clutter's farm and thought that Mr. Clutter was perhaps rich. And this is the lead which finally broke the case after Perry and Dick had drifted down to Mexico, back to the midwest, been seen in Kansas City, and were finally picked up in Las Vegas. The last, even more terrible chapters, deal with their confessions, the law man who wanted to see them hanged, back to back, the trial begun in 1960, the post-ponements of the execution, and finally the walk to "The Corner" and Perry's soft-spoken words—"It would be meaningless to apologize for what I did. Even inappropriate. But I do. I apologize." It's a magnificent job—this American tragedy—with the incomparable Capote touches throughout. There may never have been a perfect crime, but if there ever has been a perfect reconstruction of one, surely this must be it.

Pub Date: Jan. 7, 1965

ISBN: 0375507906

Page Count: 343

Publisher: Random House

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: Jan. 1, 1965

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At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history...

THUNDERSTRUCK

A murder that transfixed the world and the invention that made possible the chase for its perpetrator combine in this fitfully thrilling real-life mystery.

Using the same formula that propelled Devil in the White City (2003), Larson pairs the story of a groundbreaking advance with a pulpy murder drama to limn the sociological particulars of its pre-WWI setting. While White City featured the Chicago World’s Fair and America’s first serial killer, this combines the fascinating case of Dr. Hawley Crippen with the much less gripping tale of Guglielmo Marconi’s invention of radio. (Larson draws out the twin narratives for a long while before showing how they intersect.) Undeniably brilliant, Marconi came to fame at a young age, during a time when scientific discoveries held mass appeal and were demonstrated before awed crowds with circus-like theatricality. Marconi’s radio sets, with their accompanying explosions of light and noise, were tailor-made for such showcases. By the early-20th century, however, the Italian was fighting with rival wireless companies to maintain his competitive edge. The event that would bring his invention back into the limelight was the first great crime story of the century. A mild-mannered doctor from Michigan who had married a tempestuously demanding actress and moved to London, Crippen became the eye of a media storm in 1910 when, after his wife’s “disappearance” (he had buried her body in the basement), he set off with a younger woman on an ocean-liner bound for America. The ship’s captain, who soon discerned the couple’s identity, updated Scotland Yard (and the world) on the ship’s progress—by wireless. The chase that ends this story makes up for some tedious early stretches regarding Marconi’s business struggles.

At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history lesson.

Pub Date: Oct. 24, 2006

ISBN: 1-4000-8066-5

Page Count: 464

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2006

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