Honest and compassionate.
A creative writing professor’s memoir of two profoundly intense relationships that permanently marked his life.
Lisicky (Unbuilt Projects, 2012, etc.) met novelist Denise Gess in the early 1980s when both were graduate students at Rutgers University. She was everything that he, a then-closeted gay man, was not: vivacious, funny, and “able to hold the attention of an entire group of freshmen.” But it was not until Gess’ death from cancer that he began to reflect not only on the intense emotional relationship he had with her, but also with the poet, M., whom he married and then divorced. In a nonlinear narrative that moves back and forth in time and space to focus on episodes in the lives of all three main figures, Lisicky portrays not only the details of their lives as working writers, but also the emotional ups and downs he experienced with both his friend and his lover. In the early days of his friendship with Gess, she called Lisicky “two times a day, sometimes for two or three hours at a time.” But closeness also bred competitiveness in their professional relationship, as well as a possessiveness that not only suggested the two were “a little in love with each other,” but also led to emotional betrayals on both sides. On the other hand, Lisicky’s intimate relationship with M. mirrored the unconsummated one he had with Gess in how their connection seemed to reflect “some powerful exchange of psychic materials between [them].” Yet all their closeness did not prevent his husband's eventual departure from the relationship with another man. His world upended by Gess’ illness, Lisicky realized a painful truth. The closer he got to people, the more he had to acknowledge their freedom to die and/or leave him. With empathy and emotional finesse, the author renders the fragility of interpersonal connections, and he offers insight into the complicated nature of the human heart.
Honest and compassionate.Pub Date: Jan. 19, 2016
ISBN: 978-1-55597-728-3
Page Count: 192
Publisher: Graywolf
Review Posted Online: Oct. 3, 2015
Kirkus Reviews Issue: Oct. 15, 2015
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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