Readers will roll up for repeats, and not just because of the name on the cover.

HEY GRANDUDE!

Hanging out with grandad turns out to be anything but boring after he pulls out a very special compass and takes everyone on a magical mystery tour.

A “gray and drizzly” day takes a series of exciting turns for Lucy, Tom, Em, and Bob—a racially diverse quartet of sibs (or maybe cousins) in Durst’s fluid, informal cartoon scenes—after grizzled Grandude strides into the room. He has a compass that transports him and the “Chillers” with a “zing, bang, sizzle” to a beach, a desert, and a Swiss mountainside. Like the economical text, which aside from a quick refrain is all in prose, experiences at each stop take on a certain pattern as the children thrice enjoy their new setting but then need a quick spin of the compass to escape a flood of pinchy red crabs, mount horses but narrowly avoid a bison stampede, then abandon a picnic to clamber atop an obliging flying cow when an avalanche threatens. Despite the allusive title (and the “Grandude” moniker, which McCartney admits he cribbed from his own grandkids) there’s no sign of the self-absorption that often rides celebrity picture books. Ultimately, the genial tour guide, who is white but otherwise looks nothing like the author and even plays guitar right-handed, spins the compass one final time to deliver the weary Chillers back home.

Readers will roll up for repeats, and not just because of the name on the cover. (Picture book. 5-8)

Pub Date: Sept. 5, 2019

ISBN: 978-0-525-64867-3

Page Count: 32

Publisher: Random House

Review Posted Online: Sept. 18, 2019

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Comfy and cozy, with nary a meanie in sight.

GRANDUDE'S GREEN SUBMARINE

Following Hey, Grandude (2019), more jolly fun as the title character squires his four young “Chillers” aboard a green sub (where does Sir Paul get his ideas?) to catch up with his partner in adventure: Nandude!

Casting about for something to do on a sweltering day, the multiracial quartet eagerly follows their grizzled White gramps down to an underground chamber where a viridian vessel awaits to take them soaring through the sky to a distant land. There, Grandude’s old friend Ravi plays a tune of Nandude’s that accompanies them after they leave him. It leads them under the sea to an octopus’s garden and a briefly scary tangle with the ink-spraying giant. The monster’s set to dancing, though, as Nandude floats up in her own accordion-shaped ship to carry everyone home for tea, biscuits, and bed in a swirl of notes. Aside maybe from the odd spray of shiny stars here and there, Durst steers clear of sight gags and direct visual references to the film or music in her cheery cartoon scenes. Both she and the text do kit Ravi out, appropriately, with a sitar, but there’s no 1960s-style psychedelia to be seen. Nostalgic adults may be disappointed to see that even the submarine bears no resemblance to the iconic vessel of the film but instead just looks like a plush, smiling toy whale, eyes and all. Children, of course, won’t care. That this book does not try to trade (heavily) on its antecedents makes it a refreshing change from so many other celebrity titles. (This book was reviewed digitally.)

Comfy and cozy, with nary a meanie in sight. (Picture book. 5-8)

Pub Date: Oct. 5, 2021

ISBN: 978-0-593-37243-2

Page Count: 32

Publisher: Random House

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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Together, Díaz and Espinosa present an imaginative, purposeful narrative about identity and belonging.

ISLANDBORN

A young girl’s homework assignment unravels the history and beauty of her homeland.

Lola and her classmates are assigned to draw pictures of their respective origin countries. With excitement, the others begin sharing what they will draw: pyramids, a long canal, a mongoose. Lola, concerned, doesn’t remember what life was like on the Island, and so she recruits her whole neighborhood. There is Leticia, her cousin; Mrs. Bernard, who sells the crispy empanadas; Leticia’s brother Jhonathan, a barber; her mother; her abuela; and their gruff building superintendent. With every description, Lola learns something new: about the Island’s large bats, mangoes, colorful people, music and dancing everywhere, the beaches and sea life, and devastating hurricanes. Espinosa’s fine, vibrant illustrations dress the story in colorful cacophony and play with texture (hair especially) as Lola conjures images of her homeland. While the story does not identify the Island by name, readers familiar with Díaz’s repertoire will instantly identify it as the Dominican Republic, a conclusion that’s supported when the super recalls the Monster (Dominican dictator Rafael Trujillo), and sharp-eyed readers should look at the magnets on Lola’s refrigerator. Lola, Teresa Mlawer’s translation, is just as poignant as the original.

Together, Díaz and Espinosa present an imaginative, purposeful narrative about identity and belonging. (Picture book. 5-8)

Pub Date: March 13, 2018

ISBN: 978-0-7352-2986-0

Page Count: 48

Publisher: Dial Books

Review Posted Online: Feb. 3, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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