by Paul Mosier ‧ RELEASE DATE: June 9, 2020
Skip this stale beach read.
Juillet, a Midwest preteen grieving her parents’ breakup, finds a soulmate and discovers surfing in Southern California.
With her mother working at a nearby hospital during their monthlong stay in Santa Monica, Juillet, 12, expects to miss her (one) friend, Fern, back home. Together, they read cult horror fiction and hung out at the mall in goth makeup and attire. In Santa Monica, she meets Summer, a beautiful, blonde surfer girl who’s intrigued by Juillet’s look and delighted to learn Juillet means “July” in French. Friendship quickly follows. Outgoing Summer introduces Juillet to the neighborhood, its denizens, and So-Cal surf culture. Juillet’s smitten with everything, especially Summer herself, who coaxes Juillet out of her comfort zone and onto a boogie board, a skateboard, and, eventually, a surfboard. Though mostly sunny and upbeat, Summer keeps secrets. Why won’t she won’t talk about her family or where she disappears to? The ocean and how Juillet learns to engage with it are the novel’s strengths, vivid and convincing, but not the far-fetched plotting or carelessly written major characters (who are white). While surfing culture is central to both plot and theme, the customs and argot Summer teaches Juillet are dated, feeling as though they’ve been sourced from inauthentic, pop-culture iterations like the 1959 film Gidget. Even as the book ignores Hawaiian surfing history and culture, the surfing meme “Eddie would go,” celebrating legendary surfer Eddie Aikau, appears in an adapted form without attribution or context.
Skip this stale beach read. (Fiction. 10-14)Pub Date: June 9, 2020
ISBN: 978-0-06-284936-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Paul Mosier
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by Paul Mosier
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
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BOOK TO SCREEN
by Katherine Marsh ‧ RELEASE DATE: Aug. 7, 2018
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Katherine Marsh ; illustrated by Kelly Murphy
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