A grim and demanding and irresistible anatomy of misfortune.
An Irish family’s decline is rendered in painful, affecting detail.
The opening line says “a man had killed his family” in another town, and “rumours swirled about affairs, addiction, hidden files on his computer.” Are these portents of what awaits the Barnes family, who will inhabit the next 650 pages? Certainly they are struggling with an array of problems. In the wake of a recession, the Volkswagen dealership run by Dickie Barnes has seen sales plummet amid a surge in complaints about repair work. A disgruntled client’s son threatens to beat Dickie’s boy, PJ, with a hammer. PJ's sister, Cass, is struggling with a fickle bestie and booze. Their mother, Imelda, facing her neighbors’ schadenfreude, has stopped shopping and dreams that a flood is taking everything away from her. Flashbacks reveal the poverty and old passions that color Dickie and Imelda’s marriage. She’s still mourning her late fiance, Frank, a handsome star athlete, when she weds his unexceptional brother, Dickie, whose sexual adventures at Trinity College loom over his business worries 20 years later. In his three previous novels, including Skippy Dies (2010), Murray showed a talent for blending humor and pathos. His fans may be dismayed to find almost no humor here. Mainly there is an inexorable trudging from bad to worse, with Murray tirelessly inventing fresh woes for the Barneses. And while financial pressure is a propulsive force—as it is to varying degrees in all his novels—other pressures come into play: sexual, religious, educational, community, parental, peer. It’s hard not to feel the author is piling on, not to wonder how the novel might have gained from some comic relief. At the same time, no moment or episode is implausible, and carried by Murray’s fine, measured prose and uncanny plotting, the book presents a striking abundance of what for too many may be normal life.
A grim and demanding and irresistible anatomy of misfortune.Pub Date: Aug. 15, 2023
ISBN: 9780374600303
Page Count: 656
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
