An enjoyable novel based on a piece of recent economic history.
A fictional account of the Greek financial crisis.
In this novel, Myers (Betrayal in Europe, 2015) blends wholly made-up characters—financial wizards Jim Schiller, Jack Hawkins, and James Smith; behind-the-scenes fixer Sophie d’Auverne—with fictional versions of the European leaders who were in the headlines as Greece struggled to meet its financial obligations and maintain its place in the European Union in 2015. (Those officials include Angela Merkel, Christine Lagarde, Mario Draghi, and Alexis Tsipras.) Sophie jets from one financial capital to another helping to arrange a deal that will head off financial chaos, while her fiance, Jim, sets out on his own damage-control mission after realizing that his hedge fund has gotten involved in risky Greek investments. Jack and James decide to bring the monarchy back to Greece, regardless of the elected government’s preferences, and everyone is spying on everyone else, hoping for an edge. In the end, a deal is reached, the financiers continue to make money, and reporters continue to pay more attention to Yanis Varoufakis’ motorcycle than to his country’s financial policies. Sophie, the story’s core, is always ready with a snappy comeback (“That’s my helicopter. Yours is the little one out on the horizon”) or a politically astute move. Balancing her professional obligations with keeping her teenage daughter in line and living up to her aristocratic family’s standards, she always remains thoroughly French. The other characters are people who use terms like “Grexit” in casual conversation, and their stories will appeal to readers who are similarly devoted to the machinations that surround global finance. Those same readers, however, may find the repeated explanations of the novel’s real-life characters (“mentioning the powerful German finance minister, Wolfgang Schäuble, the number-two politician in Angela Merkel’s ruling coalition government”; “referring to Yanis Varoufakis, the Greek finance minister with the rock star reputation”; “referring to Christine Lagarde, the head of the International Monetary Fund”) superfluous. Yet the novel is fast-paced, with an intriguing plot (even for those who already know the outcome), and Myers demonstrates that a financial story can be a thriller even without a single drawn gun or weapon of mass destruction.
An enjoyable novel based on a piece of recent economic history.Pub Date: Dec. 20, 2015
ISBN: 978-1-5193-5262-0
Page Count: 220
Publisher: CreateSpace
Review Posted Online: Feb. 15, 2016
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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