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DO YOU BELIEVE IN MAGIC?

THE SENSE AND NONSENSE OF ALTERNATIVE MEDICINE

A rousing good read, strong on human interest and filled with appalling and amazing data.

A pull-no-punches attack on the hucksterism of alternative medicine and an exposé of the federal government’s failure to regulate the vitamin and supplement industry.

Offit (Chief of the Division of Infectious Diseases, Children’s Hospital of Philadelphia; Vaccinology and Pediatrics/Univ. of Pennsylvania School of Medicine; Deadly Choices: How the Anti-Vaccine Movement Threatens Us All, 2011; etc.) relates shocking stories of the harm done to people by promoters of false claims, and he doesn’t hesitate to name names. His brief account of the lobbying and politics behind the 1994 Dietary Supplement Health and Education Act, called by the New York Times “The Snake Oil Protection Act,” is particularly eye-opening. Offit casts an especially critical eye on celebrity promoters of alternative therapies. Among those who come under his scrutiny are former actress Suzanne Somers with her so-called anti-aging product line; TV’s charismatic Dr. Mehmet Oz and his “Superstars of Alternative Medicine”: Andrew Weil and Deepak Chopra; and osteopath Rashid Buttar, a prolific author and promoter of an unlicensed anti-autism cream. Offit also gives his take on various common products that practitioners of alternative medicine claim have therapeutic value—e.g., garlic, ginkgo biloba, saw palmetto, St. John’s wort and milk thistle. Of special interest is his chapter on what has been learned about the value of the placebo response and how it explains the positive effects of some alternative therapies. The harm, he writes, comes when their promoters recommend against helpful conventional therapies, when they promote potentially dangerous therapies without warning, when they give patients false hopes and then drain their bank accounts, and, finally, when they promote magical thinking or scientific illiteracy.

A rousing good read, strong on human interest and filled with appalling and amazing data.

Pub Date: June 18, 2013

ISBN: 978-0-06-222296-1

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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