Humorous and charming tales with old-fashioned appeal and delightful images.
A collection of new and previously published stories about a girl and her adventures with her real and toy animal friends.
Squirrel Hill is a farmhouse in the country near a small forest called Briar Woo. Madison, the young, white girl who lives there, loves climbing an apple tree and exploring with her friends. These include plush animals—such as a male elephant named Ellie, a monkey called Sergeant Monk-Monk, and Kitty, a cat—as well as living ones. The first three stories here appeared in Clark’s (Just an Ordinary Elephant and The Bald Cardinal, 2018, etc.) two previous books. In these tales, Madison sets out with several pals to cross the forest on an expedition to find North Africa; Ellie wants to be seen as special for wearing a straw hat, but it’s his kindness that makes his friends think he’s “very special indeed.” Kitty, who tends to be self-centered and conceited, finds herself being kind to an unfortunate bird. The new tales start with “Big Audie and The Runt,” in which Madison teaches a bullying raccoon a lesson about sharing. In “A Fly in Kitty’s Whiskers,” she gives Kitty her doll’s eyeglasses to wear “whenever she wanted to look beautiful, or when she wanted to check her whiskers for flies.” In the final story, Madison’s African American friend Kaila has been told there’s a pink dog on Squirrel Hill; they ask around and finally find the canine. Overall, there’s a pleasantly cozy feeling to these stories, and they’re sometimes reminiscent of the works of A.A. Milne, although Clark displays his own distinct style. Although several of the tales here have a clear moral, they’re never blatant, and the author softens the messages by employing several moments of gentle, humane humor. The affection that the various human, animal, and toy characters show for one another is also sweet and endearing throughout. Driver’s (Just an Ordinary Elephant and The Bald Cardinal, 2018, etc.) black-and-white, beautifully shaded pencil illustrations are a plus as well; they portray realistic but very expressive animals, and they capture the magic of Squirrel Hill as a setting.
Humorous and charming tales with old-fashioned appeal and delightful images.Pub Date: March 15, 2019
ISBN: 978-1-79885-589-8
Page Count: 88
Publisher: Time Tunnel Media
Review Posted Online: May 29, 2019
Review Program: Kirkus Indie
PERSPECTIVES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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