The premise is powerful, but thin characterizations make for an emotionally disconnected read.
Smith’s eco-thriller follows two unlikely allies as they attempt to take down an international ivory-trafficking syndicate that’s leaving endangered elephants on the brink of extinction.
After seeing his mentor get murdered by a rival gang, Chinese ivory smuggler Ming Wei vows to spend the rest of his existence attempting to atone for his depraved past by taking down an illegal ivory-trafficking syndicate and (he hopes) saving countless elephants in the process. (“The lingering horrors of the night, the death of a mentor—they wouldn’t fade without meaning. Ming Wei would step into the light, becoming the informant he never thought he could be, fueled not by guilt, but by a sense of purpose.”) In East Africa, Kenyan conservation officer Zara Okonkwo is futilely trying to protect the elephants in her sanctuary from poachers who are shockingly well organized and always seem to have inside information. Okonkwo suspects that her boss, Samuel Kimani, the head of the Kenya Wildlife Service, is working with an international organized crime ring and is profiting from the slaughter of the gentle giants. After confronting Kimani, Okonkwo is predictably suspended. When the Chinese police and Interpol get involved and pair Wei and Okonkwo together in an investigation to uncover the mysterious leader behind the globe-spanning operation, the former smuggler and courageous conservation officer learn they’re up against an organization much bigger and more powerful than they ever imagined. While the narrative’s setup is a compelling hook, the storyline has two major flaws: two-dimensional characters and an overuse of sensationalized dialogue. Wei and Okonkwo are only superficially developed—their lack of backstory and depth (apart from their unwavering dedication to their cause) precludes an emotional connection with the reader. The stilted dialogue, filled with far too many melodramatic declarations, renders the characters even more shallow; a surfeit of lines like, “today, we fight for justice. For Ming, for the elephants, for the future” quickly lose their impact.
The premise is powerful, but thin characterizations make for an emotionally disconnected read.Pub Date: March 6, 2025
ISBN: 9798313139661
Page Count: 477
Publisher: N/A
Review Posted Online: May 6, 2025
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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