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IVORY

The premise is powerful, but thin characterizations make for an emotionally disconnected read.

Smith’s eco-thriller follows two unlikely allies as they attempt to take down an international ivory-trafficking syndicate that’s leaving endangered elephants on the brink of extinction.

After seeing his mentor get murdered by a rival gang, Chinese ivory smuggler Ming Wei vows to spend the rest of his existence attempting to atone for his depraved past by taking down an illegal ivory-trafficking syndicate and (he hopes) saving countless elephants in the process. (“The lingering horrors of the night, the death of a mentor—they wouldn’t fade without meaning. Ming Wei would step into the light, becoming the informant he never thought he could be, fueled not by guilt, but by a sense of purpose.”) In East Africa, Kenyan conservation officer Zara Okonkwo is futilely trying to protect the elephants in her sanctuary from poachers who are shockingly well organized and always seem to have inside information. Okonkwo suspects that her boss, Samuel Kimani, the head of the Kenya Wildlife Service, is working with an international organized crime ring and is profiting from the slaughter of the gentle giants. After confronting Kimani, Okonkwo is predictably suspended. When the Chinese police and Interpol get involved and pair Wei and Okonkwo together in an investigation to uncover the mysterious leader behind the globe-spanning operation, the former smuggler and courageous conservation officer learn they’re up against an organization much bigger and more powerful than they ever imagined. While the narrative’s setup is a compelling hook, the storyline has two major flaws: two-dimensional characters and an overuse of sensationalized dialogue. Wei and Okonkwo are only superficially developed—their lack of backstory and depth (apart from their unwavering dedication to their cause) precludes an emotional connection with the reader. The stilted dialogue, filled with far too many melodramatic declarations, renders the characters even more shallow; a surfeit of lines like, “today, we fight for justice. For Ming, for the elephants, for the future” quickly lose their impact.

The premise is powerful, but thin characterizations make for an emotionally disconnected read.

Pub Date: March 6, 2025

ISBN: 9798313139661

Page Count: 477

Publisher: N/A

Review Posted Online: May 6, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE CRASH

Soapy, suspenseful fun.

A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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